1 00:00:19,060 --> 00:00:20,200 HEY. 2 00:00:20,220 --> 00:00:22,560 BALLPARK HOW LONG SHE MIGHT HAVE BEEN HERE? 3 00:00:22,590 --> 00:00:24,630 THE TENANT IN 2‐B CAME OUT WITH THE TRASH 4 00:00:24,660 --> 00:00:26,130 AT 7:10 THIS MORNING. 5 00:00:26,160 --> 00:00:28,060 THE LIGATURE MARKS MAY BE A SCARF, 6 00:00:28,100 --> 00:00:30,100 SOME KIND OF FABRIC. 7 00:00:30,130 --> 00:00:31,770 THE BODY'S ARRANGED TOO NEAT. 8 00:00:31,800 --> 00:00:34,100 GOT TO BE A DUMP JOB. 9 00:00:36,140 --> 00:00:38,210 GOT A BOOK BAG. 10 00:00:38,240 --> 00:00:40,710 I GUESS THEY DON'T CALL THEM BOOK BAGS ANYMORE. 11 00:00:40,750 --> 00:00:42,090 BACKPACK. 12 00:00:42,110 --> 00:00:44,550 HER PANTIES ARE PULLED DOWN HERE. 13 00:00:44,580 --> 00:00:46,150 TENANT WHO CALLED IT IN KNOW HER? 14 00:00:46,180 --> 00:00:47,220 ANY I. D. IN THERE? 15 00:00:47,250 --> 00:00:49,650 JUST A FIRST NAME WRITTEN IN A BIO BOOK ‐‐ 16 00:00:49,690 --> 00:00:52,650 ALYSSA. OTHERWISE, LIP GLOSS‐TYPE STUFF, 17 00:00:52,690 --> 00:00:54,660 FUZZY HAIR BANDS. 18 00:00:54,690 --> 00:00:56,590 THEY TAKE ALL THIS STUFF TO SCHOOL WITH THEM. 19 00:00:56,630 --> 00:00:58,060 IT'S GOT NOTHING TO DO WITH SCHOOL. 20 00:00:58,100 --> 00:00:59,940 NAME OF THE SCHOOL ANYWHERE? 21 00:00:59,960 --> 00:01:03,100 NO. YOU KNOW WHAT MY DAUGHTER WRITES IN ALL HER BOOKS? 22 00:01:03,130 --> 00:01:05,730 "THIS WAS STOLEN FROM KATIE MEDAVOY," 23 00:01:05,770 --> 00:01:07,740 AND THEN HER ADDRESS AND PHONE NUMBER. 24 00:01:07,770 --> 00:01:09,810 "QUISQUE PRO OMNIBUS." 25 00:01:09,840 --> 00:01:11,640 "SOMETHING FOR EVERYONE." 26 00:01:11,680 --> 00:01:14,790 ARLINGTON ACADEMY OVER ON 14th STREET. 27 00:01:14,810 --> 00:01:17,410 MY BOYFRIEND IN HIGH SCHOOL AND HIS SISTER WENT THERE. 28 00:01:17,450 --> 00:01:20,920 LET ME CALL THE SCHOOL, SEE ABOUT HER PARENTS. 29 00:01:20,950 --> 00:01:23,750 QUISQUE PRO OMNIBUS. 30 00:01:23,790 --> 00:01:24,820 WOW. 31 00:01:24,860 --> 00:01:27,470 THE THINGS THAT STICK IN YOUR HEAD, RIGHT? 32 00:01:27,490 --> 00:01:29,320 YEAH. 33 00:02:48,970 --> 00:02:51,440 ME AND TUCKER CRUISING ALONG IN THE RADIO CAR 34 00:02:51,480 --> 00:02:53,890 WHEN THIS LOONEY TOONER STARTS FLAGGING US. 35 00:02:53,910 --> 00:02:55,880 FOLLOWED HIM DOWN HERE, HE SHOWS US THIS GUY. 36 00:02:55,910 --> 00:02:59,250 I SUPPOSE IT'S TOO MUCH TO HOPE HE'S GOT I. D. ON HIM. 37 00:02:59,280 --> 00:03:01,220 LOOK AT THESE NECK BRUISES. 38 00:03:01,250 --> 00:03:03,690 LOT OF DISCOLORATION. 39 00:03:03,720 --> 00:03:05,350 YEAH, AND THESE ARE DEFINITELY FINGER MARKS UNDER HIS CHIN. 40 00:03:05,390 --> 00:03:07,290 THIS GUY WAS STRANGLED. 41 00:03:07,330 --> 00:03:09,570 WHERE MIGHT I FIND THIS WHACKO LOONEY TOONER? 42 00:03:09,590 --> 00:03:11,790 HE'S OVER THERE BY THAT JURY‐RIGGED HUT THING. 43 00:03:11,830 --> 00:03:14,460 ALL RIGHT, WE'VE GOT NO I. D. 44 00:03:14,500 --> 00:03:16,570 ON OUR OPEN AIR‐LOVING FRIEND HERE. 45 00:03:16,600 --> 00:03:18,900 WHEN CRIME SCENE COMES, JUST HAVE THEM TRY 46 00:03:18,940 --> 00:03:20,580 TO LIFT PRINTS OFF ALL OF THIS STUFF. 47 00:03:20,610 --> 00:03:23,080 I'M ASSUMING A LOT OF PEOPLE CAMP OUT HERE, RIGHT? 48 00:03:23,110 --> 00:03:26,820 WE'VE ROUSTED 15, 16 GUYS OUT OF HERE, MOSTLY MEXICANS. 49 00:03:26,850 --> 00:03:29,320 HEY, DANNY, COME HERE. YOU'VE GOT TO CHECK THIS OUT. 50 00:03:29,350 --> 00:03:33,190 DO ME A FAVOR AND COVER THIS GUY UP AGAIN. 51 00:03:35,620 --> 00:03:38,250 IS IT THAT KIND OF CAN‐DO INGENUITY 52 00:03:38,290 --> 00:03:40,490 MADE THIS COUNTRY GREAT, OR WHAT? 53 00:03:40,520 --> 00:03:41,820 THIS GUY KNOWS SOMETHING I DON'T KNOW, THAT'S FOR SURE. 54 00:03:41,860 --> 00:03:43,930 YEAH. THAT, AND SOMETHING ELSE, TOO. 55 00:03:43,960 --> 00:03:45,260 IS THAT SO? 56 00:03:45,300 --> 00:03:47,610 THIS IS MY PARTNER SORENSON. 57 00:03:47,630 --> 00:03:49,000 OKAY. OKAY. 58 00:03:49,030 --> 00:03:52,270 RADIO SHACK'S COMPETITION HERE IS NICHOLAS GILBERT. 59 00:03:52,300 --> 00:03:55,440 NICHOLAS, TELL MY PARTNER HERE WHAT YOU JUST TOLD ME. 60 00:03:55,470 --> 00:03:58,270 YOU GOT SOME INFORMATION FOR US, NICHOLAS? 61 00:03:58,310 --> 00:04:00,440 I ALREADY SAID IT. IT'S ALREADY OUT THERE. 62 00:04:00,480 --> 00:04:02,080 LIKE YOU, TOO, RIGHT, BUDDY? 63 00:04:02,110 --> 00:04:03,980 COME ON. SAY WHAT YOU JUST TOLD ME. 64 00:04:04,020 --> 00:04:06,020 NOTHING. NOTHING. 65 00:04:06,050 --> 00:04:08,980 YOU DIDN'T SEE ANYTHING UNUSUAL LAST NIGHT? 66 00:04:09,020 --> 00:04:12,520 YOU JUST TOLD ME YOU SAW TWO GUYS FIGHTING OVER HERE. 67 00:04:12,560 --> 00:04:14,430 NO, I DIDN'T SEE ANYTHING. 68 00:04:14,460 --> 00:04:15,660 IF YOU DIDN'T, YOU DIDN'T, RIGHT? 69 00:04:15,690 --> 00:04:18,630 YOU CAN'T HELP US IF YOU'VE GOT NOTHING TO TELL. 70 00:04:18,660 --> 00:04:21,200 EXCEPT FOR HOW I SAW THEM FIGHTING. 71 00:04:21,230 --> 00:04:22,200 AH. 72 00:04:22,230 --> 00:04:24,270 SAW WHO FIGHTING? 73 00:04:24,300 --> 00:04:26,300 JEFE AND SOME OTHERS. 74 00:04:26,340 --> 00:04:27,680 JEFE WOULD BE THE DEAD GUY? 75 00:04:27,710 --> 00:04:29,280 COULD YOU SEE WHO HE WAS FIGHTING WITH? 76 00:04:29,310 --> 00:04:30,450 OH, I DON'T KNOW. 77 00:04:30,470 --> 00:04:32,440 WHERE THEY LIVE, I HAVE NEVER BEEN. 78 00:04:32,480 --> 00:04:34,650 WHY WOULD YOU? YOU'VE GOT CABLE. 79 00:04:34,680 --> 00:04:37,050 THE THING TO DO IS COME ALONG WITH US NOW. 80 00:04:37,080 --> 00:04:39,210 RIGHT NOW AFTER I PACK MY STUFF. 81 00:04:39,250 --> 00:04:41,950 WE WERE ACTUALLY THINKING YOUR STUFF WOULD STAY. 82 00:04:41,990 --> 00:04:44,800 NOT WITHOUT MY STUFF, I DON'T. 83 00:04:44,820 --> 00:04:47,460 WE COULD GET OFFICER LINDSAY TO KEEP AN EYE ON YOUR STUFF. 84 00:04:47,490 --> 00:04:48,660 NO. IF IT'S ME AND YOU, 85 00:04:48,690 --> 00:04:50,230 THEN IT'S MY STUFF WITH YOU, OKAY? 86 00:04:50,260 --> 00:04:51,990 OKAY? 87 00:04:52,030 --> 00:04:53,800 OKAY. 88 00:04:53,830 --> 00:04:58,470 OKAY. OKAY. 89 00:04:58,500 --> 00:05:01,540 OKAY. OKAY. 90 00:05:05,080 --> 00:05:06,990 WATCH WHERE YOU'RE GOING. 91 00:05:07,010 --> 00:05:09,310 I'VE GOT IT. JUST KEEP MOVING. 92 00:05:09,350 --> 00:05:11,260 STEADY, OKAY? STEADY, PLEASE. 93 00:05:11,280 --> 00:05:14,020 WANT TO TELL YOUR BUDDY HE'D BETTER SHUT UP? 94 00:05:14,050 --> 00:05:15,850 BACK UP, NICHOLAS, OKAY? 95 00:05:18,220 --> 00:05:22,560 OKAY, STEP AWAY FROM THE CART, PLEASE. 96 00:05:22,590 --> 00:05:24,560 PLEASE? 97 00:05:24,600 --> 00:05:26,240 LOOK, IT'S A PACKAGE DEAL, HIM AND THE CART. 98 00:05:26,260 --> 00:05:27,700 YOU HEARD. 99 00:05:27,730 --> 00:05:29,670 IF HE SAYS HE WANTS A SPONGE BATH, 100 00:05:29,700 --> 00:05:31,870 WE ALL JUMP IN THE TUB? 101 00:05:31,900 --> 00:05:34,540 JOSH, SHOW NICHOLAS HERE TO INTERVIEW THREE. 102 00:05:34,570 --> 00:05:36,040 THAT WAY. 103 00:05:36,070 --> 00:05:37,540 WITNESS OR SUSPECT? 104 00:05:37,580 --> 00:05:39,890 HE'S A WITNESS TO THAT D. O. A. UNDER THE FDR. 105 00:05:39,910 --> 00:05:41,180 WE THINK HE CAN HELP. 106 00:05:41,210 --> 00:05:43,180 HE THINKS HE CAN HELP. 107 00:05:43,210 --> 00:05:44,610 IT'S JUST GOING TO TAKE A LITTLE DECIPHERING 108 00:05:44,650 --> 00:05:46,080 'CAUSE HE'S OUT OF HIS ELEMENT 109 00:05:46,120 --> 00:05:47,290 AND HE'S SCARED... 110 00:05:47,320 --> 00:05:48,550 AND CRAZY. DON'T FORGET HE'S CRAZY. 111 00:05:48,590 --> 00:05:49,800 ANYTHING ON THE D. O. A.? 112 00:05:49,820 --> 00:05:50,920 YEAH. NICKNAME'S JEFE. 113 00:05:50,960 --> 00:05:52,430 THIS IS A HOMELESS CAMP WE FOUND HIM IN, 114 00:05:52,460 --> 00:05:53,430 SO, YOU KNOW ‐‐ 115 00:05:53,460 --> 00:05:54,730 NO RéSUMéS LYING AROUND? 116 00:05:54,760 --> 00:05:55,920 RIGHT. 117 00:05:55,960 --> 00:05:58,390 HE'S GOT A MICROWAVE IN THERE, A TV, 118 00:05:58,430 --> 00:05:59,700 AND AN ELECTRIC CAN OPENER. 119 00:05:59,730 --> 00:06:01,600 HE HAS TO TAKE HIS DUMPS IN THE SHRUB, 120 00:06:01,630 --> 00:06:03,870 BUT AT LEAST HE CAN GET A CAN OPEN 121 00:06:03,900 --> 00:06:05,900 NICE AND SMOOTH. 122 00:06:10,110 --> 00:06:14,440 OKAY, NICHOLAS, WE CAME THROUGH ON OUR END 123 00:06:14,480 --> 00:06:15,780 WITH LUGGING THE CART UP AND ALL. 124 00:06:15,810 --> 00:06:18,750 YOU'RE ALL WEARING METAL. I CAN SMELL IT. 125 00:06:18,780 --> 00:06:21,280 ALL YOU KIND OF GUYS WEAR SO MUCH METAL, 126 00:06:21,320 --> 00:06:22,720 AND IT HATES ME. 127 00:06:22,750 --> 00:06:24,250 ALL RIGHT. YOU SEE THAT THERE? 128 00:06:24,290 --> 00:06:27,090 THAT'S WHAT THEY CALL A GOOD‐FAITH GESTURE. 129 00:06:31,960 --> 00:06:36,300 OKAY, I WAS MAKING A POT NOODLE IN MY MICROWAVE. 130 00:06:36,330 --> 00:06:37,970 WHEN MY MICROWAVE MOVES AROUND, 131 00:06:38,000 --> 00:06:40,600 SOMETIMES WHEN IT COMES BACK IT DOESN'T WORK FOR A WHILE. 132 00:06:40,640 --> 00:06:42,140 IT'S GOING TO HAPPEN THIS TIME TOO, I BET. 133 00:06:42,170 --> 00:06:45,310 YOU WERE COOKING, AND HEARD JEFE FIGHTING WITH SOME GUYS? 134 00:06:45,340 --> 00:06:47,780 I USED TO BE LIKE YOU. 135 00:06:47,810 --> 00:06:49,780 I REALLY, REALLY WANTED TO KNOW THINGS SOMETIMES, 136 00:06:49,810 --> 00:06:51,580 BUT NOW PEOPLE WANT ME TO DIE. 137 00:06:51,620 --> 00:06:53,290 HEY, WE'RE NOT GOING TO HURT YOU, 138 00:06:53,320 --> 00:06:54,990 AND ON ONE ELSE IS, EITHER. 139 00:06:55,020 --> 00:06:56,650 AS LONG AS YOU'RE HERE WITH US, YOU'RE OKAY. 140 00:06:56,690 --> 00:06:58,350 MAURICIO CAME IN WITH ME 141 00:06:58,390 --> 00:07:00,360 TO WATCH A SOCCER MATCH ONCE, 142 00:07:00,390 --> 00:07:02,420 AND HE STOLE MY SOCKS. 143 00:07:02,460 --> 00:07:04,290 MAURICIO IS ONE OF THE GUYS 144 00:07:04,330 --> 00:07:06,190 WHO WAS FIGHTING WITH JEFE? 145 00:07:06,230 --> 00:07:07,760 UH‐HUH. I LOOKED AND LOOKED, 146 00:07:07,800 --> 00:07:09,030 AND MY SOCKS WERE GONE. 147 00:07:09,070 --> 00:07:11,180 HE CAME BACK ONE DAY, AND HE WAS WEARING THEM. 148 00:07:11,200 --> 00:07:13,300 MAURICIO? THE OTHER ONE. 149 00:07:13,340 --> 00:07:14,980 IS THERE A NAME WEARING THESE SOCKS? 150 00:07:15,010 --> 00:07:18,380 WHEN YOU SEE HIM, YOU JUST GOT TO HIDE 151 00:07:18,410 --> 00:07:21,380 'CAUSE HE MIGHT HEAR JUST ONE WRONG WORD, 152 00:07:21,410 --> 00:07:22,780 AND HE JUST HURTS, 153 00:07:22,810 --> 00:07:24,380 AND HE CAME UP FROM BEHIND JEFE 154 00:07:24,420 --> 00:07:26,890 AND PULLED HIM AWAY FROM MAURICIO BY THE NECK, 155 00:07:26,920 --> 00:07:29,450 AND WHAT HE DID TO JEFE MADE HIM GO DOWN. 156 00:07:29,490 --> 00:07:31,730 TELL US WHO THIS GUY IS AND WE CAN PICK HIM UP, 157 00:07:31,760 --> 00:07:34,300 OR KEEP IT TO YOURSELF SO HE CAN CHOKE YOU 158 00:07:34,330 --> 00:07:38,170 WITH A PAIR OF DISPUTED SOCKS, PROBABLY. 159 00:07:38,200 --> 00:07:41,170 IT'S OKAY. YOU CAN TELL US. 160 00:07:41,200 --> 00:07:43,060 DIEGO. SHH. SHH. 161 00:07:43,100 --> 00:07:45,470 ALL RIGHT, YOU KNOW ANY PLACES 162 00:07:45,500 --> 00:07:48,500 WHERE WE COULD MAYBE FIND EITHER OF THEM HANGING OUT? 163 00:07:48,540 --> 00:07:51,340 MAURICIO, HE BEGS AT THE COUNTRY KITCHEN 164 00:07:51,380 --> 00:07:52,520 FOR BOOZE MONEY. 165 00:07:52,540 --> 00:07:54,840 WHERE'S THIS DIEGO HANG OUT? 166 00:07:54,880 --> 00:07:56,480 IN THE SHADOWS. 167 00:07:56,510 --> 00:07:59,820 ALL RIGHT, YOU JUST SIT TIGHT. WE'RE GOING TO GET SOMEBODY 168 00:07:59,850 --> 00:08:02,520 TO KEEP YOU COMPANY. YOU'RE SAFE HERE. 169 00:08:02,550 --> 00:08:05,650 OKAY IF I PUT MY WATCH BACK ON NOW? 170 00:08:05,690 --> 00:08:08,620 LIVE YOUR LIFE HOW YOU WANT TO LIVE IT. 171 00:08:12,560 --> 00:08:15,700 IS THERE ANYTHING WE CAN GET YOU, MRS. LIPTON? 172 00:08:15,730 --> 00:08:19,200 NO, THANK YOU. 173 00:08:19,240 --> 00:08:21,050 WHEN THE SCHOOL CALLED ME AND TOLD ME ‐‐ 174 00:08:21,070 --> 00:08:22,770 WHICH WE APOLOGIZE FOR. 175 00:08:22,810 --> 00:08:24,120 WE ASKED THEM TO WAIT 176 00:08:24,140 --> 00:08:26,270 UNTIL WE COULD TELL YOU IN PERSON. 177 00:08:26,310 --> 00:08:30,380 AFTER THEY TOLD ME, 178 00:08:30,410 --> 00:08:34,050 AFTER I COULD THINK A CLEAR THOUGHT, 179 00:08:34,090 --> 00:08:35,860 I WENT TO ALYSSA'S ROOM 180 00:08:35,890 --> 00:08:38,800 AND PRIED OPEN HER CONFIDENTIAL CHEST. 181 00:08:38,820 --> 00:08:40,890 THAT'S WHAT SHE CALLED IT. 182 00:08:40,930 --> 00:08:42,930 SHE NEVER LET ME LOOK IN THERE, 183 00:08:42,960 --> 00:08:46,060 BUT NOW IT DOESN'T MATTER MUCH, DOES IT? 184 00:08:47,470 --> 00:08:50,410 I DON'T KNOW WHAT'S HERE, 185 00:08:50,430 --> 00:08:52,730 THE THINGS SHE KEPT FROM ME. 186 00:08:52,770 --> 00:08:54,970 THIS IS A BIG HELP, MRS. LIPTON. 187 00:08:55,010 --> 00:08:57,920 DID ALYSSA SAY WHERE SHE WAS GOING TO BE LAST NIGHT? 188 00:08:57,940 --> 00:08:59,780 SHE WAS SUPPOSED TO BE HOME. 189 00:08:59,810 --> 00:09:03,750 I'VE BEEN WORKING P. M. s THIS MONTH AT BELLEVUE. 190 00:09:03,780 --> 00:09:05,250 I'M A NURSE, 191 00:09:05,280 --> 00:09:08,750 AND I TOLD MY SUPERVISOR THAT I DIDN'T WANT P. M. s, 192 00:09:08,790 --> 00:09:11,500 BUT I WORK IN THE CORONARY CARE UNIT, 193 00:09:11,520 --> 00:09:13,760 AND THE REGULAR P. M. NURSE IS ON MATERNITY LEAVE, 194 00:09:13,790 --> 00:09:15,960 AND IT WAS EITHER THAT OR PROBABLY LOSE MY JOB. 195 00:09:15,990 --> 00:09:17,590 SO YOU DON'T KNOW WHERE SHE WAS, 196 00:09:17,630 --> 00:09:19,800 WHO SHE WAS GOING TO MEET UP WITH? 197 00:09:19,830 --> 00:09:22,600 NO, I DON'T. SHE'D WITHDRAWN A LOT LATELY, 198 00:09:22,630 --> 00:09:24,630 BUT THEY TELL YOU 199 00:09:24,670 --> 00:09:26,770 AS LONG AS YOUR TEENAGER'S GETTING GOOD GRADES 200 00:09:26,810 --> 00:09:28,750 AND ISN'T USING DRUGS OR ALCOHOL 201 00:09:28,770 --> 00:09:31,440 AND KEEPS CURFEW, TO RESPECT THEIR INDEPENDENCE, 202 00:09:31,480 --> 00:09:34,620 SO I DID, AND I DON'T KNOW. 203 00:09:34,650 --> 00:09:37,190 DO YOU KNOW IF SHE WAS SEEING ANYONE? 204 00:09:37,220 --> 00:09:39,460 I ASKED A COUPLE TIMES. SHE SAID NO. 205 00:09:39,480 --> 00:09:41,480 ANY BOYS OR MEN SHE WAS CLOSE WITH? 206 00:09:41,520 --> 00:09:43,120 I DON'T THINK SO. 207 00:09:43,150 --> 00:09:46,350 ANY MEN IN YOUR LIFE WHO HAVE BEEN AROUND ALYSSA? 208 00:09:46,390 --> 00:09:49,320 NO. ALYSSA'S DAD DIED WHEN SHE WAS 9. 209 00:09:51,160 --> 00:09:54,130 WAS ALYSSA 210 00:09:54,170 --> 00:09:56,510 ASSAULTED BEFORE SHE WAS KILLED? 211 00:09:56,530 --> 00:09:58,270 THERE ARE SOME INDICATIONS 212 00:09:58,300 --> 00:10:01,470 THERE MAY HAVE BEEN SOMETHING ALONG THOSE LINES. 213 00:10:01,510 --> 00:10:05,180 WE CAN'T SAY FOR SURE. 214 00:10:18,720 --> 00:10:22,390 SO SHE WROTE THESE FOR A CREATIVE WRITING CLASS? 215 00:10:22,430 --> 00:10:24,840 SHE KEPT THEM LOCKED UP IN A BOX 216 00:10:24,860 --> 00:10:27,000 WITH OTHER PERSONAL STUFF. MOTHER NEVER SAW THEM. 217 00:10:27,030 --> 00:10:29,530 ANY OTHER PERSONAL STUFF STAND OUT? 218 00:10:29,570 --> 00:10:30,830 NOT LIKE THESE ESSAYS. 219 00:10:30,870 --> 00:10:32,700 IN THIS ONE WE'VE GOT THE GUY SEEING HER 220 00:10:32,740 --> 00:10:35,180 WALK BY ON THE STREET, TO AND FROM SCHOOL EVERY DAY. 221 00:10:35,210 --> 00:10:37,580 YOUNG GUY, 20s ABOUT. JANITOR OR SUPER, MAYBE. 222 00:10:37,610 --> 00:10:40,240 SHE PASSES BY HIS BUILDING ON THE WAY TO SCHOOL. 223 00:10:40,280 --> 00:10:43,340 HE FLIRTS, SHE LIKES IT. HE'S A CUTE GUY, MUSCLES. 224 00:10:43,380 --> 00:10:46,210 HE'S OLDER. HE'S FUNNY. IT'S FLATTERING. 225 00:10:46,250 --> 00:10:48,720 HE WALKS A SHORTCUT WITH HER BEHIND THE BUILDING. 226 00:10:48,750 --> 00:10:50,350 THAT'S THE FIRST TIME HE RAPED HER? 227 00:10:50,390 --> 00:10:53,090 SHE'S ASHAMED, KEEPS IT TO HERSELF AND STEERS CLEAR 228 00:10:53,120 --> 00:10:54,690 UNTIL ONE DAY ON HER WAY HOME 229 00:10:54,730 --> 00:10:56,700 HE'S WAITING AND SHE CAN'T HIDE. 230 00:10:56,730 --> 00:10:59,190 AND HE SAYS IT'S HER FAULT FOR FLIRTING. 231 00:10:59,230 --> 00:11:00,700 THIS IS WHERE SHE DESCRIBES HIS APARTMENT. 232 00:11:00,730 --> 00:11:03,900 SOMETHING MAKES HER GO THERE WITH HIM. 233 00:11:03,940 --> 00:11:06,380 MAYBE SHE THOUGHT SHE COULD CONTROL THE SITUATION THIS TIME. 234 00:11:06,400 --> 00:11:08,370 WE GET A DECENT PHYSICAL DESCRIPTION 235 00:11:08,410 --> 00:11:11,120 IN THE SECOND ESSAY. MAYBE ENOUGH TO KNOCK ON DOORS. 236 00:11:11,140 --> 00:11:13,580 I WOULDN'T MIND KNOCKING ON HER TEACHER'S DOOR, 237 00:11:13,610 --> 00:11:16,410 SEE HOW HE COULD PUT A GRADE ON THESE SO‐CALLED "STORIES" 238 00:11:16,450 --> 00:11:18,560 AND THINK THAT SHOULD BE THE END OF IT. 239 00:11:18,580 --> 00:11:20,120 YEAH. DEFINITELY DO THAT. 240 00:11:20,150 --> 00:11:21,580 D.O.A.'s TWO BEST FRIENDS 241 00:11:21,620 --> 00:11:23,690 ARE COMING IN WITH THEIR PARENTS. 242 00:11:23,720 --> 00:11:26,250 THEY CANCELED CLASSES FOR THE REST OF TODAY. 243 00:11:26,290 --> 00:11:29,260 SO THAT'S WHERE YOU GO EVERY DAY, HUH? 244 00:11:29,290 --> 00:11:31,590 YOU SIT IN FRONT OF THAT DINER 245 00:11:31,630 --> 00:11:33,600 TILL YOU'VE GOT IT UP TO GET LOADED? 246 00:11:33,630 --> 00:11:35,730 YEAH. THAT'S MY PATCH, MAN. 247 00:11:35,770 --> 00:11:38,640 THEM PEOPLE GOT THEIRS. THAT'S MINE. 248 00:11:38,670 --> 00:11:39,640 YOU KNOW A GUY NAMED JEFE? 249 00:11:39,670 --> 00:11:41,200 YEAH, I KNOW THE CHIEF. 250 00:11:41,240 --> 00:11:42,400 HOW DO YOU KNOW HIM? 251 00:11:42,440 --> 00:11:43,910 I'VE BEEN SLEEPING DOWN AT HIS PLACE. 252 00:11:43,940 --> 00:11:45,140 HE WAS THERE FIRST. 253 00:11:45,180 --> 00:11:47,550 UNDER A RAMP‐LIKE THING. 254 00:11:47,580 --> 00:11:48,710 I MET HIM THERE. 255 00:11:48,750 --> 00:11:50,160 YOU SEE HIM THERE LAST NIGHT? 256 00:11:50,180 --> 00:11:52,780 YEAH. LATER ON WE TALKED. 257 00:11:52,820 --> 00:11:53,830 ABOUT WHAT? 258 00:11:53,850 --> 00:11:56,420 FROSTBITE. I GOT IT LAST YEAR. 259 00:11:56,450 --> 00:11:57,590 NOW I GET COLD, 260 00:11:57,620 --> 00:11:59,620 IT GETS WHITE AND TINGLY AGAIN WHERE I GOT IT. 261 00:11:59,660 --> 00:12:02,090 JEFE GOT IT ON HIS FACE ONE TIME REAL BAD. 262 00:12:02,130 --> 00:12:04,600 WHO ELSE WAS THERE SWAPPING FROSTBITE STORIES 263 00:12:04,630 --> 00:12:05,730 WITH YOU AND JEFE? 264 00:12:05,760 --> 00:12:07,100 JUST HIM AND ME. 265 00:12:07,130 --> 00:12:08,760 DIEGO DIDN'T DROP BY? 266 00:12:08,800 --> 00:12:11,230 YEAH, HE MIGHT'VE. 267 00:12:11,270 --> 00:12:13,900 15 OTHER GUYS SLEEP UNDER THERE REGULAR, 268 00:12:13,940 --> 00:12:15,600 LOTS OF OTHER GUYS IN AND OUT ALL NIGHT. 269 00:12:15,640 --> 00:12:17,410 WE'RE NOT TALKING ABOUT ALL NIGHT. 270 00:12:17,440 --> 00:12:19,940 WE'RE TALKING ABOUT WHEN YOU WERE B. S.'ing WITH JEFE. 271 00:12:19,980 --> 00:12:22,840 YEAH, DIEGO MIGHT HAVE BEEN THERE FOR THAT. 272 00:12:22,880 --> 00:12:25,610 JEFE'S ALWAYS GOT SOMETHING TO SLEEP ON, 273 00:12:25,650 --> 00:12:28,750 EVEN IF IT'S JUST, LIKE, TURPENTINE. 274 00:12:28,790 --> 00:12:30,760 SO, WHAT, JEFE WENT STINGY ON YOU? 275 00:12:30,790 --> 00:12:32,950 THAT'S WHY YOU STARTED BEATING ON HIM? 276 00:12:32,990 --> 00:12:36,120 NO, NO, NO, NO. I LEFT BEFORE THAT WENT DOWN, MAN. 277 00:12:36,160 --> 00:12:38,030 NO, YOU WERE SEEN MAKING IT HAPPEN 278 00:12:38,060 --> 00:12:39,430 WITH YOUR BUDDY DIEGO. 279 00:12:39,460 --> 00:12:42,500 SEEN? WHO'S DOING ALL THIS SEEING? 280 00:12:42,530 --> 00:12:44,630 IS IT NICHOLAS? 281 00:12:44,670 --> 00:12:48,440 LET ME TELL YOU, NICHOLAS SEES LOTS OF STUFF. 282 00:12:48,470 --> 00:12:50,840 YOU TWO GUYS SEEM TOO SMART TO BE 283 00:12:50,880 --> 00:12:53,690 RUNNING AND JUMPING OFF WHAT NICHOLAS MIGHT BE SAYING. 284 00:12:53,710 --> 00:12:55,640 AAH! 285 00:12:55,680 --> 00:12:56,980 WE'RE SMART ENOUGH 286 00:12:57,020 --> 00:12:59,190 NOT TO NEED YOUR WISE‐ASS ADVICE. 287 00:12:59,220 --> 00:13:00,690 I'M JUST SAYING, MAN ‐‐ 288 00:13:00,720 --> 00:13:02,380 WE'RE JUST SAYING WE'VE GOT YOU 289 00:13:02,420 --> 00:13:04,650 STANDING OVER JEFE WHEN JEFE WENT HORIZONTAL, 290 00:13:04,690 --> 00:13:06,150 SO HIS MURDER LANDS ON YOU 291 00:13:06,190 --> 00:13:08,160 UNLESS YOU GIVE US DIEGO. 292 00:13:08,190 --> 00:13:11,830 NO, MAN. I AIN'T GIVING UP DIEGO, 293 00:13:11,860 --> 00:13:13,960 AND THAT'S THE LAST I SAY HIS NAME. 294 00:13:14,000 --> 00:13:16,160 YOU'RE MAKING A MISTAKE, MAURICIO. 295 00:13:16,200 --> 00:13:19,470 NO, IT'S NICHOLAS MAKING THE MISTAKE, MAN. 296 00:13:19,500 --> 00:13:21,200 YOU'RE AWFUL COCKY 297 00:13:21,240 --> 00:13:23,870 FOR SOMEONE LOOKING AT A MURDER RAP. 298 00:13:23,910 --> 00:13:28,510 I JUST TAKE IT DAY TO DAY, MAN. 299 00:13:36,350 --> 00:13:39,350 YEAH, I'M JIM SYKES. I SPOKE WITH DETECTIVE MEDAVOY. 300 00:13:39,390 --> 00:13:41,860 YEAH, I'M GREG MEDAVOY. THANKS FOR COMING IN. 301 00:13:41,890 --> 00:13:43,320 JIM SYKES, LEWIS McCREADY, 302 00:13:43,360 --> 00:13:45,330 OUR DAUGHTERS JOANNA AND KELLY. 303 00:13:45,360 --> 00:13:46,760 THIS IS JUST AWFUL. 304 00:13:46,800 --> 00:13:48,900 YEAH. WE'RE ALL VERY SORRY. 305 00:13:48,930 --> 00:13:51,330 DETECTIVES RUSSELL AND JONES. 306 00:13:51,370 --> 00:13:53,100 ANYTHING ON WHO MIGHT HAVE DONE THIS? 307 00:13:53,140 --> 00:13:54,210 NOTHING YET. 308 00:13:54,240 --> 00:13:56,000 WOULD YOU TWO MIND WAITING HERE 309 00:13:56,040 --> 00:13:58,040 WHILE WE TALK TO YOUR DAUGHTERS? 310 00:13:58,080 --> 00:13:59,420 IT'S A PROBLEM IF WE'RE IN THE ROOM? 311 00:13:59,440 --> 00:14:01,010 KIDS ARE USUALLY MORE CANDID 312 00:14:01,050 --> 00:14:02,350 WHEN THEY'RE NOT AROUND THEIR PARENTS. 313 00:14:02,380 --> 00:14:04,450 THEY'VE ALREADY BEEN THROUGH A LOT TODAY. 314 00:14:04,480 --> 00:14:05,750 WE'RE NOT GOING TO ADD TO IT. 315 00:14:05,780 --> 00:14:07,720 WE JUST NEED TO TALK TO PEOPLE THAT KNEW ALYSSA, 316 00:14:07,750 --> 00:14:09,620 AND WE NEED THEM TO BE HONEST. 317 00:14:09,650 --> 00:14:10,620 OKAY. 318 00:14:10,660 --> 00:14:12,900 YOU TWO OKAY WITH THAT? 319 00:14:12,920 --> 00:14:15,660 WE'RE RIGHT HERE IF YOU NEED US. 320 00:14:29,170 --> 00:14:31,140 DID EITHER OF YOU SEE ALYSSA LAST NIGHT? 321 00:14:31,180 --> 00:14:33,150 I DIDN'T. I'M GROUNDED THIS WEEK. 322 00:14:33,180 --> 00:14:35,150 I CAN'T EVEN TALK ON THE PHONE. 323 00:14:35,180 --> 00:14:37,980 DID SHE SAY WHERE SHE WAS GOING TO BE? 324 00:14:38,020 --> 00:14:41,490 SHE DIDN'T TELL ME ANYTHING AT SCHOOL. 325 00:14:41,520 --> 00:14:42,650 JOANNA? 326 00:14:42,690 --> 00:14:44,330 NO. 327 00:14:44,360 --> 00:14:45,760 SO YOU DON'T KNOW 328 00:14:45,790 --> 00:14:47,590 IF ALYSSA WENT HOME DIRECTLY AFTER SCHOOL? 329 00:14:47,630 --> 00:14:48,930 I THOUGHT SHE DID. 330 00:14:48,960 --> 00:14:51,230 NORMALLY I WOULD HAVE CALLED HER LATER, BUT ‐‐ 331 00:14:51,260 --> 00:14:53,430 SO ALYSSA SEEMED PRETTY NORMAL AT SCHOOL YESTERDAY? 332 00:14:53,460 --> 00:14:55,560 I GUESS SO. 333 00:14:55,600 --> 00:14:58,100 BUT LATELY, THE LAST MONTH OR SO, 334 00:14:58,140 --> 00:15:00,510 SHE'S BEEN BUSY A LOT. KIND OF KEPT TO HERSELF. 335 00:15:00,540 --> 00:15:03,170 RIGHT? KIND OF. 336 00:15:03,210 --> 00:15:05,520 BUSY WITH WHAT? DID SHE SAY? 337 00:15:05,540 --> 00:15:08,180 NO, BUT I GUESS A LOT OF PEOPLE ARE THIS TIME OF YEAR. 338 00:15:08,210 --> 00:15:11,410 LIKE, THEY EXTENDED VOLLEYBALL 339 00:15:11,450 --> 00:15:13,950 TILL 8:30 EVERY DAY, RIGHT? 340 00:15:13,990 --> 00:15:16,700 YEAH. DID SHE HAVE A BOYFRIEND? 341 00:15:16,720 --> 00:15:18,850 THERE WAS TOM LAST SPRING, BUT THEY BROKE UP, 342 00:15:18,890 --> 00:15:21,120 AND SHE SAID SHE WAS GLAD, 343 00:15:21,160 --> 00:15:23,460 AND, ANYWAY, HE MOVED TO ST. LOUIS. 344 00:15:23,490 --> 00:15:25,130 ANY OTHER GUYS IN HER LIFE SHE TALKED ABOUT? 345 00:15:25,160 --> 00:15:26,800 NO, NOT REALLY. 346 00:15:26,830 --> 00:15:28,330 LOTS OF GUYS HAD CRUSHES ON HER. 347 00:15:28,370 --> 00:15:30,140 SHE WAS SO PRETTY. 348 00:15:44,420 --> 00:15:46,320 THERE'S NOTHING ELSE YOU CAN THINK OF 349 00:15:46,350 --> 00:15:47,350 THAT MIGHT HELP US? 350 00:15:47,390 --> 00:15:48,990 NO. 351 00:15:49,020 --> 00:15:50,690 IF YOU DO THINK OF ANYTHING ‐‐ 352 00:15:50,720 --> 00:15:53,050 ANYTHING THAT COULD HELP US FIND OUT WHO, UM, 353 00:15:53,090 --> 00:15:55,490 KILLED YOUR BEST FRIEND, JUST COME BY OR CALL. 354 00:15:55,530 --> 00:15:57,040 JUST YOU AND I WILL TALK. 355 00:16:04,370 --> 00:16:08,170 HEY, SARGE, GET AN R.P. TO TRANSPORT OUR GUY IN THE CELL 356 00:16:08,210 --> 00:16:10,220 OVER TO CENTRAL BOOKING. 357 00:16:10,240 --> 00:16:12,170 WE'LL COME DOWN AFTER WE FINISH THE PAPERWORK. 358 00:16:12,210 --> 00:16:14,210 GO LOOK FOR DIEGO NOW? 359 00:16:14,250 --> 00:16:15,990 WHAT, WE'RE SUPPOSED TO WEAR OUR SHOES OUT NOW 360 00:16:16,010 --> 00:16:18,250 LOOKING FOR A FIRST‐NAME‐ONLY HOMELESS GUY, 361 00:16:18,280 --> 00:16:20,750 NO DESCRIPTION, NO PLACES? NO. WE'LL GIVE IT TO PATROL. 362 00:16:20,790 --> 00:16:22,360 LET THE GUYS WHO KNOW THOSE STREETS 363 00:16:22,390 --> 00:16:23,730 LOOK FOR THIS IDIOT 364 00:16:23,760 --> 00:16:25,430 INSTEAD OF US WALKING AROUND AND CALLING HIS NAME OUT 365 00:16:25,460 --> 00:16:27,270 LIKE WE'RE LOOKING FOR A LOST DOG OR SOMETHING. 366 00:16:27,290 --> 00:16:28,590 HEY, ANDY, DANNY. 367 00:16:28,630 --> 00:16:29,940 HEY. HOW'S IT GOING? 368 00:16:29,960 --> 00:16:31,830 10 POUNDS. 20 MORE TO GO. 369 00:16:31,860 --> 00:16:33,730 GOOD FOR YOU. LET PATROL HAVE IT. 370 00:16:33,770 --> 00:16:36,580 NO, I STILL FEEL LIKE GOING OUT ANYWAY, OKAY, ANDY? 371 00:16:36,600 --> 00:16:38,570 I'LL GRAB UP SOMEONE IN ANTI‐CRIME 372 00:16:38,600 --> 00:16:40,740 AND YOU DO THE FIVES ON MAURICIO. 373 00:16:43,310 --> 00:16:44,620 HEY, GIBSON, 374 00:16:44,640 --> 00:16:47,510 UH, HOW'S IT GOING? 375 00:16:47,550 --> 00:16:50,520 SINCE YOU ASKED ME FIVE SECONDS AGO? 376 00:16:50,550 --> 00:16:53,350 NO, THE 10 POUNDS. YOU LOOK GOOD. 377 00:16:53,380 --> 00:16:54,550 IT'S A BITCH, ISN'T IT? 378 00:16:54,590 --> 00:16:56,190 HOW'D YOU LOSE THE WEIGHT, ANDY? 379 00:16:56,220 --> 00:16:59,020 STRESS. 380 00:16:59,060 --> 00:17:01,030 HELL, I SHOULD BE COMING IN AT 95 POUNDS, THEN. 381 00:17:01,060 --> 00:17:04,230 HEY, REMEMBER YOUR NIECE CYNTHIA? WHY WOULDN'T I? 382 00:17:04,260 --> 00:17:05,630 HOW'S SHE DOING, ANYWAY? 383 00:17:05,660 --> 00:17:07,230 SHE'S GOOD. 384 00:17:07,270 --> 00:17:09,240 SHE MOVED HERE TO THE CITY A COUPLE OF MONTHS AGO. 385 00:17:09,270 --> 00:17:10,480 JOB SWITCH. 386 00:17:10,500 --> 00:17:11,900 NO KIDDING, HUH? 387 00:17:11,940 --> 00:17:13,910 SHE ASKED ABOUT YOU A WHILE BACK. 388 00:17:13,940 --> 00:17:16,240 I FIGURE I DID MY PART ALREADY, THOUGH. 389 00:17:16,270 --> 00:17:18,470 HEY, WHY DON'T YOU TELL HER I SAID HI 390 00:17:18,510 --> 00:17:20,410 THE NEXT TIME YOU TALK TO HER? 391 00:17:20,440 --> 00:17:24,550 YOU TELL HER. I GOT HER NUMBER RIGHT HERE. 392 00:17:24,580 --> 00:17:26,250 YOU GOT ONE OF THEM HAND PILOTS. 393 00:17:26,280 --> 00:17:28,450 CHRISTMAS GIFT FROM MY KIDS. 394 00:17:28,490 --> 00:17:30,060 YEAH, HUH? 395 00:17:30,090 --> 00:17:34,020 I'LL BE TAKING A HAMMER TO THIS BY EASTER. 396 00:17:42,270 --> 00:17:43,740 THIS IS THE WORST THING 397 00:17:43,770 --> 00:17:45,930 THEY'VE EVER HAD TO DEAL WITH HERE. 398 00:17:45,970 --> 00:17:48,800 BEFORE I STARTED THEY HAD, I THINK, ONE SUICIDE ‐‐ 399 00:17:48,840 --> 00:17:51,270 CARBON MONOXIDE ‐‐ BUT THAT WAS YEARS AGO. 400 00:17:51,310 --> 00:17:52,940 WE HAVE THESE PAPERS ALYSSA WROTE 401 00:17:52,980 --> 00:17:54,590 FOR YOUR CREATIVE WRITING CLASS. 402 00:17:54,610 --> 00:17:56,950 WHAT WAS THE ASSIGNMENT EXACTLY? 403 00:17:56,980 --> 00:17:58,410 I DON'T REALLY GIVE OUT ASSIGNMENTS. 404 00:17:58,450 --> 00:18:00,250 I TELL THEM THE FORMAT. THEY COME UP WITH THEIR OWN TOPICS. 405 00:18:00,280 --> 00:18:03,120 THAT WAY I DON'T GET 18 VERSIONS OF THE SAME THING. 406 00:18:03,150 --> 00:18:04,290 WHAT DID YOU THINK 407 00:18:04,320 --> 00:18:05,490 WHEN ALYSSA TURNED THIS TOPIC IN? 408 00:18:05,520 --> 00:18:08,660 I THOUGHT THEY WERE VERY POWERFUL. 409 00:18:08,690 --> 00:18:11,290 SHE WAS EXTREMELY TALENTED. 410 00:18:11,330 --> 00:18:13,930 SO YOU WEREN'T DISTURBED, TROUBLED? 411 00:18:13,970 --> 00:18:15,940 WHEN SHE HANDED IN THIS FIRST ONE, 412 00:18:15,970 --> 00:18:18,140 I WAS GREATLY ENCOURAGED. 413 00:18:18,170 --> 00:18:21,600 THEY WERE ALL VISCERAL, ANGRY, DETAILED, 414 00:18:21,640 --> 00:18:23,440 THE CONVICTION OF IT. 415 00:18:23,470 --> 00:18:26,040 AND WHEN THE SECOND ONE CAME? 416 00:18:26,080 --> 00:18:28,720 I WAS CONCERNED, CERTAINLY, 417 00:18:28,750 --> 00:18:31,560 BUT I DIDN'T KNOW WHAT TO DO. 418 00:18:31,580 --> 00:18:33,680 YOU MEAN OTHER THAN ASKING HER ABOUT IT? 419 00:18:33,720 --> 00:18:34,720 LAST YEAR A COLLEAGUE 420 00:18:34,750 --> 00:18:36,380 WROTE A RECOMMENDATION TO PRINCETON 421 00:18:36,420 --> 00:18:37,550 FOR ONE OF HIS STUDENTS. 422 00:18:37,590 --> 00:18:39,520 WHEN SHE WAS ACCEPTED, SHE WAS SO THRILLED, 423 00:18:39,560 --> 00:18:41,320 SHE HUGGED HIM IN FRONT OF THE CLASS, 424 00:18:41,360 --> 00:18:43,020 AND THEN THE WHISPERS STARTED. 425 00:18:43,060 --> 00:18:45,230 SOON HE WAS INFORMED THAT A DIFFERENT GIRL 426 00:18:45,260 --> 00:18:47,630 WAS SAYING THAT HE HAD MADE ADVANCES TOWARD HER, 427 00:18:47,670 --> 00:18:48,640 AND THEN ANOTHER. 428 00:18:48,670 --> 00:18:50,710 HE WAS ASKED TO GO ON SABBATICAL 429 00:18:50,740 --> 00:18:52,980 WHILE THE RUMORS WERE INVESTIGATED. 430 00:18:53,000 --> 00:18:55,070 EVENTUALLY HE WAS BROUGHT UP BEFORE THE BOARD 431 00:18:55,110 --> 00:18:56,480 AND FIRED. 432 00:18:56,510 --> 00:18:58,520 THEN, SIX WEEKS LATER, HIS WIFE FILED FOR DIVORCE. 433 00:18:58,540 --> 00:18:59,880 IT'S A MODERN‐DAY SALEM. 434 00:18:59,910 --> 00:19:02,340 SO YOU WERE AFRAID TO TALK TO ALYSSA, 435 00:19:02,380 --> 00:19:04,080 OR TO ANYONE ABOUT HER? 436 00:19:04,120 --> 00:19:06,890 I DID FINALLY SPEAK WITH HER. 437 00:19:08,790 --> 00:19:12,100 THIS IS HER THIRD STORY, 438 00:19:12,120 --> 00:19:13,920 THE LAST ONE. 439 00:19:13,960 --> 00:19:17,260 UGH. IN IT SHE FINALLY WROTE HIS NAME ‐‐ 440 00:19:17,300 --> 00:19:19,270 CHRIS MANAHAN. 441 00:19:19,300 --> 00:19:22,610 NOW, WHETHER THIS CHRIS IS REAL OR IMAGINED, 442 00:19:22,630 --> 00:19:23,600 I DON'T KNOW. 443 00:19:23,640 --> 00:19:26,040 AND YOU HELD ONTO THIS BECAUSE? 444 00:19:26,070 --> 00:19:28,040 SHE WOULDN'T TAKE IT BACK, 445 00:19:28,070 --> 00:19:30,540 AND IT WAS THEN THAT I ASKED HER, 446 00:19:30,580 --> 00:19:33,050 IF SHE NEEDED TO TALK ABOUT SOMETHING, 447 00:19:33,080 --> 00:19:35,550 I WOULD PUT HER IN TOUCH WITH SOMEONE 448 00:19:35,580 --> 00:19:37,850 WHO COULD HELP HER, 449 00:19:37,880 --> 00:19:40,280 BUT SHE JUST SHOOK HER HEAD AND WALKED AWAY. 450 00:19:40,320 --> 00:19:42,120 THAT'S ALL I COULD DO. 451 00:20:16,420 --> 00:20:20,390 UH, YEAH, HI. IS, UH, CYNTHIA THERE? 452 00:20:20,420 --> 00:20:23,890 OH, HEY. UH, THIS IS ANDY SIPOWICZ, 453 00:20:23,930 --> 00:20:25,390 REMEMBER, FROM ‐‐ 454 00:20:25,430 --> 00:20:29,400 YEAH. YEAH, HOW'S IT GOING? 455 00:20:29,430 --> 00:20:31,900 I HEARD YOU MOVED BACK TO THE CITY, 456 00:20:31,940 --> 00:20:33,910 AND, UH, HOW'S THAT GOING? 457 00:20:33,940 --> 00:20:35,770 GOOD. 458 00:20:35,810 --> 00:20:38,280 SO, I WAS THINKING MAYBE I'D, UH, 459 00:20:38,310 --> 00:20:39,780 THAT I'D TREAT YOU 460 00:20:39,810 --> 00:20:41,640 TO A BETTER LATE THAN NEVER 461 00:20:41,680 --> 00:20:44,150 "WELCOME TO NEW YORK" DINNER, OR LUNCH, 462 00:20:44,180 --> 00:20:45,510 WHATEVER YOU'RE AMENABLE TO. 463 00:20:45,550 --> 00:20:47,020 WELL, UH, 464 00:20:47,050 --> 00:20:49,020 COULD YOU HOLD ON A SECOND? 465 00:20:49,050 --> 00:20:52,120 LET ME JUST CHECK MY CALENDAR. 466 00:20:54,060 --> 00:20:57,290 WELL, HEY, YOU KNOW WHAT? 467 00:20:57,330 --> 00:21:00,300 ACTUALLY, I DO HAVE AN OPENING TONIGHT, 468 00:21:00,330 --> 00:21:02,630 SO I GUESS THAT WOULD MAKE IT DINNER, RIGHT? 469 00:21:02,670 --> 00:21:05,010 YEAH, GO AHEAD. YOU TAKE THAT CALL, 470 00:21:05,040 --> 00:21:06,880 AND I'LL JUST ‐‐ I'LL SEE YOU THERE AT 8:00. 471 00:21:06,910 --> 00:21:09,380 SAME SPOT? YEAH, YOU REMEMBER HOW TO GET THERE? 472 00:21:09,410 --> 00:21:12,880 OKAY. YEAH. BYE‐BYE. 473 00:21:12,910 --> 00:21:17,810 OH, BOY. 474 00:21:17,850 --> 00:21:19,820 THEO. 475 00:21:19,850 --> 00:21:23,550 I NEED A SITTER FOR THEO. 476 00:21:28,530 --> 00:21:30,400 UH, JOHN, 477 00:21:30,430 --> 00:21:33,390 I'M GOING TO NEED TO ASK YOU A BIG FAVOR. 478 00:21:33,430 --> 00:21:34,630 NAME IT. 479 00:21:34,670 --> 00:21:36,680 YOU THINK YOU COULD SQUEEZE IN 480 00:21:36,700 --> 00:21:38,070 A LITTLE TRIM LATER? 481 00:21:38,100 --> 00:21:39,170 SURE. 482 00:21:39,200 --> 00:21:40,200 THANKS. 483 00:21:41,940 --> 00:21:44,470 UH, YEAH, DESMOND. HEY, HOW YOU DOING? 484 00:21:44,510 --> 00:21:45,970 ANDY SIPOWICZ. 485 00:21:46,010 --> 00:21:48,710 LISTEN, YOUR DAUGHTER, SHE'S A BABYSITTER, RIGHT? 486 00:21:48,750 --> 00:21:50,690 WOW. 487 00:21:50,720 --> 00:21:54,360 LAW SCHOOL, HUH? TIME SURE FLIES, HUH? 488 00:22:00,930 --> 00:22:03,230 HEY. 489 00:22:03,260 --> 00:22:05,260 THE MANAGER WILL BE BACK IN AN HOUR. 490 00:22:05,300 --> 00:22:07,110 YOU CHRIS MANAHAN? 491 00:22:07,130 --> 00:22:09,000 YEAH. WHY? 492 00:22:09,030 --> 00:22:10,370 COME ON DOWN. 493 00:22:10,400 --> 00:22:11,900 WE NEED YOU TO COME WITH US, ANSWER SOME QUESTIONS. 494 00:22:11,940 --> 00:22:14,050 ABOUT WHAT? 495 00:22:14,070 --> 00:22:15,700 WE'LL TELL YOU WHEN YOU GET DOWN HERE. 496 00:22:15,740 --> 00:22:17,840 NO. I AIN'T MOVING TILL I KNOW WHAT THIS IS ABOUT. 497 00:22:17,880 --> 00:22:19,380 WANT TO TAKE THE EXPRESS? 498 00:22:19,410 --> 00:22:20,380 WHOA! 499 00:22:20,410 --> 00:22:21,710 GET DOWN HERE. 500 00:22:25,920 --> 00:22:27,790 I WANT TO KNOW WHAT THIS IS ABOUT. 501 00:22:27,820 --> 00:22:30,090 YOU DONE SOMETHING YOU NEED TO BE WORRIED ABOUT, CHRIS? 502 00:22:30,120 --> 00:22:31,390 NO. 503 00:22:31,420 --> 00:22:33,050 THEN LET'S GO HAVE A FRIENDLY CONVERSATION. 504 00:22:33,090 --> 00:22:34,090 LET'S HAVE IT HERE. 505 00:22:34,130 --> 00:22:35,570 GET YOUR ASS IN THE CAR. 506 00:22:38,130 --> 00:22:39,700 SO, MAYBE YOU DID DO SOMETHING 507 00:22:39,730 --> 00:22:42,430 YOU NEED TO BE WORRIED ABOUT. 508 00:22:42,470 --> 00:22:43,780 LAST TIME I GOT IN BACK OF ONE OF THOSE, 509 00:22:43,800 --> 00:22:45,030 I WENT AWAY FOR TWO YEARS. 510 00:22:45,070 --> 00:22:47,200 YOU MEAN FOR THAT RAPE YOU DID IN CONEY ISLAND? 511 00:22:47,240 --> 00:22:48,600 WHICH WAS A RAILROAD ‐‐ TWO YEARS 512 00:22:48,640 --> 00:22:50,740 BECAUSE THEY TOOK THAT SKANKY CHEESE BAG'S STORY 513 00:22:50,780 --> 00:22:51,780 OVER MINE. 514 00:22:51,810 --> 00:22:54,110 YEAH, RIGHT. GET GOING. 515 00:22:56,820 --> 00:22:59,290 EVER THOUGHT ABOUT JUST SAYING THE HECK WITH IT 516 00:22:59,320 --> 00:23:01,790 AND TAKING THIS ALL DOWN WITH CLIPPERS? 517 00:23:01,820 --> 00:23:03,420 NO. 518 00:23:03,450 --> 00:23:07,860 SO, A DATE, I GUESS? 519 00:23:08,960 --> 00:23:11,430 I WASN'T LISTENING, BUT I COULDN'T HELP BUT HEAR. 520 00:23:11,460 --> 00:23:13,760 I‐I HOPE YOU SEE THE DIFFERENCE. 521 00:23:13,800 --> 00:23:15,260 YEAH, YOU KNOW, 522 00:23:15,300 --> 00:23:18,930 IT'S, UH, TIME TO GET BACK UP ON THE HORSE, I FIGURE. 523 00:23:18,970 --> 00:23:21,940 DETECTIVE, I'M JUST GOING TO PUT THIS OUT THERE, OKAY? 524 00:23:21,970 --> 00:23:23,440 OKAY. 525 00:23:23,470 --> 00:23:26,170 I COULD BABYSIT FOR THEO IF YOU'RE STUCK. 526 00:23:26,210 --> 00:23:28,180 WELL, UH, I'LL TELL YOU, 527 00:23:28,210 --> 00:23:31,180 I, UH, I ACTUALLY GOT A COUPLE OF CALLS OUT, 528 00:23:31,220 --> 00:23:32,820 AND, UH, YOU KNOW, 529 00:23:32,850 --> 00:23:35,320 I FIGURE I'LL GIVE THEM FIRST CRACK AT IT 530 00:23:35,350 --> 00:23:37,320 SINCE, UH, SINCE I CALLED THEM FIRST. 531 00:23:37,360 --> 00:23:39,330 SURE, BUT IF NO ONE IS AVAILABLE, 532 00:23:39,360 --> 00:23:41,670 I WOULD BE MORE THAN HAPPY TO DO IT. 533 00:23:41,690 --> 00:23:43,990 WELL, THAT'S NICE OF YOU, JOHN. 534 00:23:44,030 --> 00:23:45,630 I BABYSIT FOR MY NEPHEWS QUITE OFTEN, 535 00:23:45,660 --> 00:23:47,100 AND THEY'RE RIGHT AROUND THEO'S AGE. 536 00:23:47,130 --> 00:23:49,100 OKAY, WELL, I'LL CONSIDER THAT, 537 00:23:49,130 --> 00:23:51,100 AND, UH, IF IT COMES DOWN TO IT, 538 00:23:51,140 --> 00:23:53,110 WE'LL SEE WHERE WE'RE AT, 539 00:23:53,140 --> 00:23:55,380 BUT I'M PRETTY SURE I GOT SOMEBODY LINED UP. 540 00:23:55,410 --> 00:23:57,380 JUST PUTTING IT OUT THERE... 541 00:23:57,410 --> 00:23:59,980 AS A FRIEND. 542 00:24:00,010 --> 00:24:01,180 OKAY, LOOK AT THAT. 543 00:24:01,210 --> 00:24:03,680 THAT'S JUST GREAT. THAT LOOKS REAL GOOD. 544 00:24:03,720 --> 00:24:05,190 REAL GOOD. 545 00:24:05,220 --> 00:24:08,060 OKAY. THANKS A LOT. 546 00:24:08,090 --> 00:24:09,560 BYE. 547 00:24:09,590 --> 00:24:12,350 BYE. 548 00:24:13,830 --> 00:24:16,300 HEY. 549 00:24:16,330 --> 00:24:17,670 NOTHING ON DIEGO, 550 00:24:17,700 --> 00:24:20,310 BUT HE'S SURE GOT A REP OUT THERE AS A TOUGH CUSTOMER. 551 00:24:20,330 --> 00:24:21,630 HE'LL TURN UP. 552 00:24:21,670 --> 00:24:22,910 SO, MEANTIME, DO WE KICK MAURICIO 553 00:24:22,930 --> 00:24:24,570 OR SEE IF HE LEADS US TO HIM? 554 00:24:24,600 --> 00:24:26,300 IT WOULD BE SOME PAIN IN THE ASS 555 00:24:26,340 --> 00:24:27,550 TAILING A HOMELESS GUY. 556 00:24:27,570 --> 00:24:28,740 I'M JUST A LITTLE WORRIED THAT THIS NICHOLAS ‐‐ 557 00:24:28,770 --> 00:24:30,140 HIS TESTIMONY WON'T STAND UP. 558 00:24:30,170 --> 00:24:32,010 THAT'S A CONCERN, YEAH. 559 00:24:32,040 --> 00:24:34,010 EVEN THOUGH HE SAW THE WHOLE THING GO DOWN, 560 00:24:34,050 --> 00:24:36,520 HE CAN NAME THE PLAYERS, AND HE HAS NO HIDDEN AGENDA ‐‐ 561 00:24:36,550 --> 00:24:38,010 IT ALL GOES OUT THE WINDOW 562 00:24:38,050 --> 00:24:39,580 BECAUSE HE TAKES AN OCCASIONAL REALITY BREAK. 563 00:24:39,620 --> 00:24:41,580 ALL RIGHT, LISTEN, WE KEEP MAURICIO IN THE SYSTEM ‐‐ 564 00:24:41,620 --> 00:24:43,080 LET HIM KNOW WE MEAN BUSINESS, 565 00:24:43,120 --> 00:24:44,750 AND THEN WE YANK HIM OUT TOMORROW. 566 00:24:44,790 --> 00:24:46,690 SEE IF HE'S FEELING A LITTLE BOXED IN 567 00:24:46,730 --> 00:24:48,100 AND READY TO DEAL. 568 00:24:48,130 --> 00:24:50,200 I'M ALSO A LITTLE WORRIED THAT MAYBE ONE OF THE REASONS 569 00:24:50,230 --> 00:24:52,190 THIS MAURICIO IS SO COCKY ABOUT GOING IN 570 00:24:52,230 --> 00:24:54,430 IS THAT HE'S GOING TO PUT THE WORD OUT ON NICHOLAS. 571 00:24:54,470 --> 00:24:55,510 ALSO A CONCERN. 572 00:24:55,530 --> 00:24:57,500 I'M GOING TO GO TALK TO THE DESK SERGEANT 573 00:24:57,540 --> 00:24:59,340 AND TRY AND SNAG NICHOLAS A CELL DOWNSTAIRS. 574 00:24:59,370 --> 00:25:01,070 IT'S SUPPOSED TO BE FREEZING TONIGHT ANYWAY. 575 00:25:04,210 --> 00:25:06,040 DO YOU KNOW ALYSSA LIPTON? 576 00:25:06,080 --> 00:25:07,390 OH, HELL. NOW WHAT'S SHE SAYING? 577 00:25:07,410 --> 00:25:08,510 HOW DO YOU KNOW HER? 578 00:25:08,550 --> 00:25:09,520 WE'VE TALKED A COUPLE OF TIMES. 579 00:25:09,550 --> 00:25:10,880 ABOUT WHAT? 580 00:25:10,920 --> 00:25:12,890 NUCLEAR FUSION. MAN, WE TALKED. 581 00:25:12,920 --> 00:25:15,060 YOU FLIRT WITH HER? 582 00:25:15,090 --> 00:25:17,600 YEAH. 'CAUSE THAT'S WHAT YOU DO WITH A FLIRT ‐‐ 583 00:25:17,620 --> 00:25:18,920 YOU FLIRT, SO, YEAH. 584 00:25:18,960 --> 00:25:20,430 LOSE THE TONE, CHRIS. 585 00:25:20,460 --> 00:25:22,560 YOU'RE SAYING SHE FLIRTED WITH YOU? 586 00:25:22,590 --> 00:25:25,560 SHE WOULD ASK ME IF SHE COULD FEEL MY BICEP, FOR GOD'S SAKE. 587 00:25:25,600 --> 00:25:28,070 I'M NOT SUPPOSED TO TALK TO THAT? 588 00:25:28,100 --> 00:25:29,970 I'M NOT MADE OF STONE. 589 00:25:30,000 --> 00:25:32,430 THAT WHY YOU RAPED HER LIKE THAT GIRL ON CONEY ISLAND? 590 00:25:32,470 --> 00:25:35,400 RAPED ALYSSA? NO WAY. 591 00:25:35,440 --> 00:25:37,240 BUT YOU DID HAVE SEX? 592 00:25:37,280 --> 00:25:39,250 LISTEN, THIS CHICK WOULD HANG AROUND, 593 00:25:39,280 --> 00:25:42,320 WATCH ME WORK, ASK ME IF HER SKIRT WAS TOO SHORT. 594 00:25:42,350 --> 00:25:45,460 IT WAS LIKE SOMETHING YOU'D READ IN "FORUM." 595 00:25:45,480 --> 00:25:46,650 I'M NOT KIDDING. 596 00:25:46,690 --> 00:25:48,290 I TRIED TO RESIST, 597 00:25:48,320 --> 00:25:51,150 BUT THIS GIRL CAME ON TO ME LIKE COFFEE ‐‐ 598 00:25:51,190 --> 00:25:52,620 HOT AND STRONG. 599 00:25:52,660 --> 00:25:53,930 I MEAN, I'M A MAN. 600 00:25:53,960 --> 00:25:55,590 YOU'RE NOT MADE OF STONE. 601 00:25:55,630 --> 00:25:57,500 THAT'S MY POINT EXACTLY. 602 00:25:57,530 --> 00:25:59,760 SO YOU HAD SEX WITH ALYSSA LIPTON? 603 00:25:59,800 --> 00:26:01,760 I TOLD HER TO RUN ALONG. 604 00:26:01,800 --> 00:26:04,670 I TOLD HER MORE TIMES THAN MOST GUYS WOULD'VE, 605 00:26:04,700 --> 00:26:06,170 BUT SHE ALWAYS CAME BY. 606 00:26:06,200 --> 00:26:08,170 YES OR NO ‐‐ DID YOU HAVE SEX? 607 00:26:08,210 --> 00:26:10,280 YES, OKAY? 608 00:26:10,310 --> 00:26:12,270 YOU KNOW HOW OLD SHE IS? 609 00:26:12,310 --> 00:26:13,940 YEAH. 18. 610 00:26:13,980 --> 00:26:15,140 15. 611 00:26:15,180 --> 00:26:17,580 GET OUT. SHE TOLD ME SHE WAS 18. 612 00:26:17,620 --> 00:26:20,090 IF SHE'S 18, WHY ARE YOU RESISTING SO MUCH ‐‐ 613 00:26:20,120 --> 00:26:22,320 TELLING HER TO GET LOST? 614 00:26:22,350 --> 00:26:24,320 THAT'S A GOOD QUESTION, YOU KNOW? 615 00:26:24,360 --> 00:26:27,330 I DON'T GOT AN ANSWER FOR THAT OFF THE TOP OF MY HEAD. 616 00:26:27,360 --> 00:26:29,990 15 MAKES IT STATUTORY RAPE, 617 00:26:30,030 --> 00:26:31,990 SO IT DOESN'T MATTER WHAT YOUR SIDE IS. 618 00:26:32,030 --> 00:26:34,000 15 MAKES YOU A SCUMBAG RAPIST OF LITTLE GIRLS 619 00:26:34,030 --> 00:26:36,360 AND PUTS YOU FRONT AND CENTER FOR WHAT HAPPENED LAST NIGHT. 620 00:26:36,400 --> 00:26:38,000 WHAT DO YOU MEAN? WHAT HAPPENED LAST NIGHT? 621 00:26:38,040 --> 00:26:40,510 ALYSSA LIPTON WAS STRANGLED TO DEATH. 622 00:26:40,540 --> 00:26:41,970 WHOA. 623 00:26:42,010 --> 00:26:43,980 WE FOUND HER BODY THIS MORNING 624 00:26:44,010 --> 00:26:45,970 ACROSS THE STREET FROM YOUR BUILDING. 625 00:26:46,010 --> 00:26:47,980 THAT'S WHAT ALL THOSE COPS WERE OVER THERE FOR? 626 00:26:48,010 --> 00:26:49,710 THAT WAS ALYSSA DEAD OVER THERE? 627 00:26:51,850 --> 00:26:53,310 OKAY, NOW HEAR THIS ‐‐ 628 00:26:53,350 --> 00:26:55,820 I AIN'T SEEN THAT CHICK IN TWO WEEKS, 629 00:26:55,850 --> 00:26:57,290 AND LAST NIGHT 630 00:26:57,320 --> 00:27:00,290 I WAS AT A BUDDY OF MINE'S BACHELOR PARTY IN JERSEY CITY. 631 00:27:00,320 --> 00:27:02,290 I PASSED OUT AT RON'S PLACE AFTER. 632 00:27:02,330 --> 00:27:05,140 I JUST MADE IT BACK FOR THE OIL DELIVERY AT NOON TODAY. 633 00:27:05,160 --> 00:27:07,130 I GOT 20 OTHER GUYS WHO'LL TELL YOU. 634 00:27:07,170 --> 00:27:08,670 THE BARTENDERS WILL TELL YOU. 635 00:27:08,700 --> 00:27:11,170 ALL NIGHT, ALL MORNING ‐‐ THERE WERE PEOPLE ALL AROUND. 636 00:27:11,200 --> 00:27:16,200 I'LL DO A DNA THING. I'LL TAKE A LIE DETECTOR. 637 00:27:16,240 --> 00:27:18,640 I DID NOT KILL THAT GIRL. 638 00:27:18,680 --> 00:27:22,190 NO WAY. 639 00:27:23,880 --> 00:27:26,850 SO, UH, YOU GOT THAT CELL LINED UP FOR NICHOLAS. 640 00:27:26,890 --> 00:27:28,360 THAT'S GOOD. 641 00:27:28,390 --> 00:27:30,760 YEAH. HOPEFULLY WE CAN FIT HIS CART IN. 642 00:27:30,790 --> 00:27:32,220 OTHERWISE, IT'S PLAN "B." 643 00:27:34,230 --> 00:27:35,700 WHAT'S UP? 644 00:27:35,730 --> 00:27:38,370 HEY, ARE YOU FREE TONIGHT TO WATCH THEO MAYBE? 645 00:27:38,400 --> 00:27:40,540 OH, NO, ANDY. I'M GOING OUT TO DINNER WITH MY SISTER. 646 00:27:40,570 --> 00:27:42,540 OH, OKAY. 647 00:27:42,570 --> 00:27:44,180 WHY? YOU GOT A DATE? 648 00:27:44,200 --> 00:27:46,230 IT'S JUST A LITTLE SOMETHING I GOT TO DO. 649 00:27:46,270 --> 00:27:48,240 WHAT ABOUT KATIE? 650 00:27:48,270 --> 00:27:51,740 NO, NO, 'CAUSE, UH ‐‐ YEAH, IT IS A DATE I'M GOING ON, 651 00:27:51,780 --> 00:27:55,120 AND I, UH, SHE'D ‐‐ IT JUST WOULDN'T BE RIGHT. 652 00:27:55,150 --> 00:27:57,520 WELL, I WISH I COULD HELP YOU OUT, ANDY. 653 00:27:57,550 --> 00:27:59,010 GAY JOHN OFFERED. 654 00:27:59,050 --> 00:28:01,380 THAT'S MY LUCK, IN A NUTSHELL. 655 00:28:01,420 --> 00:28:03,850 WHAT'S WRONG WITH JOHN BABYSITTING? 656 00:28:03,890 --> 00:28:06,620 HE'S GAY. THAT'S WHAT'S WRONG WITH IT. 657 00:28:06,660 --> 00:28:09,630 I MEAN, COME ON, ANDY, HOW LONG YOU KNOWN HIM? 658 00:28:09,660 --> 00:28:12,630 A LONG TIME, AND HE'S BEEN GAY EVERY DAY OF IT. 659 00:28:12,660 --> 00:28:14,300 YEAH, BUT THIS IS JOHN, THOUGH. 660 00:28:14,330 --> 00:28:16,060 I'D TRUST MY LIFE WITH JOHN. 661 00:28:16,100 --> 00:28:17,570 YEAH, WELL, SO WOULD I, 662 00:28:17,600 --> 00:28:20,070 BUT I AM TALKING ABOUT TRUSTING HIM WITH MY 5‐YEAR‐OLD BOY. 663 00:28:20,100 --> 00:28:22,070 ANDY, HE'S GAY. HE'S NOT A CHILD MOLESTER. 664 00:28:22,110 --> 00:28:24,080 YOU CAN TRUST JOHN TO BE ALONE WITH THEO. 665 00:28:24,110 --> 00:28:26,580 SO YOU'D LET HIM SIT WITH YOUR KID IF YOU HAD ONE? 666 00:28:26,610 --> 00:28:29,650 IN A NEW YORK MINUTE. 667 00:28:29,680 --> 00:28:31,150 YEAH. OKAY. 668 00:28:31,180 --> 00:28:33,380 HEY, DID DIANE SAY ANYTHING TO YOU? 669 00:28:33,420 --> 00:28:35,430 SHE SAID IT ENDED. THAT'S ALL SHE SAID. 670 00:28:35,450 --> 00:28:37,420 OH, I REALLY SCREWED IT UP, ANDY. 671 00:28:37,460 --> 00:28:40,600 I HAD MY CHANCE WITH HER AND I SCREWED IT UP. 672 00:28:40,630 --> 00:28:42,830 NOBODY SCREWED NOTHING UP. IT JUST ‐‐ IT DIDN'T TAKE. 673 00:28:42,860 --> 00:28:44,160 THAT HAPPENS. 674 00:28:44,200 --> 00:28:46,170 I FELT LIKE A KID AROUND HER. 675 00:28:46,200 --> 00:28:48,240 I ACTED LIKE A KID ‐‐ ALL CLINGY. 676 00:28:48,270 --> 00:28:50,280 I WAS OUT OF MY HEAD. 677 00:28:50,300 --> 00:28:53,500 COME ON. I NEED SOME HELP GETTING THAT CART DOWNSTAIRS. 678 00:28:53,540 --> 00:28:56,010 HEY, I DON'T GOT TO WORRY ABOUT YOU, RIGHT? 679 00:28:56,040 --> 00:28:57,770 NO. 680 00:28:57,810 --> 00:29:00,740 JUST REMEMBER ‐‐ THE FIRST THING YOU DON'T WANT TO DO 681 00:29:00,780 --> 00:29:03,780 IS LET WHAT HAPPENED MAKE YOU START NOT WANTING TO BE HERE. 682 00:29:07,120 --> 00:29:10,320 SO THIS MANAHAN ‐‐ HE ALIBIED OUT? 683 00:29:10,350 --> 00:29:12,790 YEAH. BACHELOR PARTY IN JERSEY CITY. 684 00:29:12,820 --> 00:29:14,790 ALL DAY YESTERDAY AND LAST NIGHT. 685 00:29:14,830 --> 00:29:17,300 HE RAPED THIS GIRL, THOUGH. READ HER ESSAYS. 686 00:29:17,330 --> 00:29:19,290 IF IT MAKES YOU FEEL ANY BETTER, 687 00:29:19,330 --> 00:29:21,300 YOU CAN RUIN HIS DAY AND LOCK HIM UP, 688 00:29:21,330 --> 00:29:24,030 BUT ONCE IT GETS TO MY DESK ‐‐ NO COMPLAINANT, NO COMPLAINT. 689 00:29:24,070 --> 00:29:25,370 GREAT. 690 00:29:25,400 --> 00:29:27,700 HE DID TIME FOR SEXUAL ASSAULT TWO YEARS AGO. 691 00:29:27,740 --> 00:29:30,310 ONE MORE LOG ON THE FIRE SHOWS HE RAPED THIS GIRL. 692 00:29:30,340 --> 00:29:32,110 DOES HE OWE ANY MORE TIME? 693 00:29:32,140 --> 00:29:33,640 HIS PAROLE ENDED SIX MONTHS AGO. 694 00:29:33,680 --> 00:29:35,440 YOU KNOW WHAT YOU CAN DO? 695 00:29:35,480 --> 00:29:38,450 CHECK AND SEE IF HE REGISTERED AS A SEX OFFENDER YET 696 00:29:38,480 --> 00:29:39,720 IN HIS CURRENT ADDRESS. 697 00:29:39,750 --> 00:29:42,350 IF HE HASN'T, I CAN MAKE A MEAL OUT OF THAT. 698 00:29:42,390 --> 00:29:43,860 WE CHECKED. HE REGISTERED. 699 00:29:43,890 --> 00:29:45,850 THEN I RECOMMEND VOIDING THE ARREST. 700 00:29:45,890 --> 00:29:48,460 CALL CENTRAL BOOKING, VOID THE ARREST, AND KICK HIM. 701 00:29:48,490 --> 00:29:51,830 WELL, LET SOMEONE ELSE BE THE BEARER OF HIS GOOD NEWS. 702 00:29:51,860 --> 00:29:54,500 "YOUR ACCUSER CAN'T CONFRONT YOU 703 00:29:54,530 --> 00:29:56,500 "BECAUSE SOMEONE ELSE MURDERED HER, 704 00:29:56,530 --> 00:29:58,500 SO GO FORTH, RAPIST, AND PROSPER." 705 00:29:58,540 --> 00:30:00,210 I'LL KICK HIM. 706 00:30:00,240 --> 00:30:02,040 Diane: I'LL HELP. 707 00:30:02,070 --> 00:30:04,040 AND, UH, I'LL CALL CENTRAL BOOKING. 708 00:30:04,080 --> 00:30:07,190 THEN I'LL GO HOME AND CHECK IN WITH MY YOUNGEST. 709 00:30:07,210 --> 00:30:09,180 FIND OUT WHAT SHE'S LEARNING IN SCHOOL. 710 00:30:09,210 --> 00:30:12,250 I'M SORRY. I WISH THERE WAS MORE I COULD DO. 711 00:30:14,020 --> 00:30:17,190 PEOPLE ARE SAYING GOOD THINGS ABOUT YOU. 712 00:30:17,220 --> 00:30:20,520 THAT'S GOOD TO HEAR. THANK YOU. 713 00:30:20,560 --> 00:30:22,190 KEEP IT UP. 714 00:30:22,230 --> 00:30:24,670 I WILL. 715 00:30:24,700 --> 00:30:27,370 DID YOU CALL THEM? 716 00:30:27,400 --> 00:30:28,860 DID THEY TELL YOU? 717 00:30:28,900 --> 00:30:31,470 15, 16 SHOTS, AT LEAST, I DID. 718 00:30:34,310 --> 00:30:36,280 BEAT IT. 719 00:30:36,310 --> 00:30:38,050 I CAN GO? 720 00:30:38,080 --> 00:30:39,620 FUNNY. YOU SOUND SURPRISED. 721 00:30:39,640 --> 00:30:41,710 I'M NOT SURPRISED. I'M VALIDATED. 722 00:30:41,750 --> 00:30:43,860 WHY ‐‐ BECAUSE YOU GOT AWAY WITH RAPING A 15‐YEAR‐OLD GIRL? 723 00:30:43,880 --> 00:30:45,610 THAT AIN'T WHAT HAPPENED. 724 00:30:45,650 --> 00:30:47,550 NO, THAT IS WHAT HAPPENED, CHRIS, 725 00:30:47,590 --> 00:30:49,560 AND YOU SHOULD START MAKING TRACKS 726 00:30:49,590 --> 00:30:52,290 WHILE YOUR LUCK IS STILL GOOD. 727 00:30:52,320 --> 00:30:53,620 LATER. 728 00:30:53,660 --> 00:30:55,060 NOW WHAT? 729 00:30:56,660 --> 00:30:58,590 WE DONE? 730 00:31:00,770 --> 00:31:02,640 NOW WE'RE DONE. 731 00:31:19,020 --> 00:31:21,660 CAN I TAKE A MESSAGE? 732 00:31:21,690 --> 00:31:24,800 HOLD ON ONE SECOND. HERE HE IS. 733 00:31:27,690 --> 00:31:29,160 SIPOWICZ. 734 00:31:29,190 --> 00:31:31,160 OH, YEAH. HEY, HOW'S IT GOING? 735 00:31:31,200 --> 00:31:32,670 SO YOU GOT MY MESSAGE? 736 00:31:32,700 --> 00:31:35,270 OH, OKAY. 737 00:31:35,300 --> 00:31:37,170 WELL, I, UH, I APPRECIATE YOUR CALLING BACK. 738 00:31:37,200 --> 00:31:39,000 MAYBE NEXT TIME. RIGHT. 739 00:31:39,040 --> 00:31:41,950 MM‐HMM. YEAH. 740 00:31:46,550 --> 00:31:48,620 ALL RIGHT, JOHN, UH, 741 00:31:48,650 --> 00:31:51,120 I'LL TAKE YOU UP ON IT. 742 00:31:51,150 --> 00:31:53,110 YOU'RE SURE? 743 00:31:53,150 --> 00:31:55,280 YEAH. LIKE, UH, 7:30. 744 00:31:55,320 --> 00:31:57,790 ONLY IF YOU'RE 100% COMFORTABLE, DETECTIVE, 745 00:31:57,820 --> 00:31:59,290 BECAUSE THE WHOLE IDEA 746 00:31:59,320 --> 00:32:01,790 IS YOU BEING COMFORTABLE WHEN YOU GO OUT 747 00:32:01,830 --> 00:32:03,970 SO YOU CAN HAVE A GOOD TIME. 748 00:32:04,000 --> 00:32:08,040 NO, I'M, UH, I'M COMFORTABLE. REALLY. 749 00:32:08,070 --> 00:32:09,440 AND GRATEFUL. 750 00:32:09,470 --> 00:32:10,480 7:30. 751 00:32:10,500 --> 00:32:14,640 7:30. 752 00:32:17,880 --> 00:32:19,350 JOANNA? 753 00:32:19,380 --> 00:32:20,850 HI. 754 00:32:20,880 --> 00:32:23,140 HEY. COME ON. 755 00:32:23,180 --> 00:32:25,250 OVER HERE. 756 00:32:39,430 --> 00:32:42,400 DO YOU THINK YOU EITHER KEEP A PROMISE ALL THE WAY 757 00:32:42,430 --> 00:32:43,530 OR YOU DON'T? 758 00:32:43,570 --> 00:32:46,530 I THINK THAT IF YOU BREAK A TRUST... 759 00:32:46,570 --> 00:32:49,910 IT HAS TO BE FOR A VERY GOOD REASON. 760 00:32:49,940 --> 00:32:51,410 BUT IF YOU AGREED 761 00:32:51,440 --> 00:32:53,910 TO KEEP SOMEONE'S SECRET IF THEY KEPT YOURS, 762 00:32:53,950 --> 00:32:55,420 NO MATTER WHAT, 763 00:32:55,450 --> 00:32:57,420 THEN MAYBE THERE'S NO GOOD REASON. 764 00:32:57,450 --> 00:33:00,520 DID YOU MAKE A PACT LIKE THAT WITH ALYSSA? 765 00:33:00,550 --> 00:33:02,520 WE SAID NO MATTER WHAT... 766 00:33:02,550 --> 00:33:05,520 BUT WE NEVER TALKED IF ONE OF US EVER... 767 00:33:05,560 --> 00:33:09,200 YOU KNOW, DIED. 768 00:33:09,230 --> 00:33:12,200 THAT DOESN'T MEAN YOU'RE GOING BACK ON A PROMISE. 769 00:33:12,230 --> 00:33:15,200 A TRUE FRIEND WOULD TRY TO HELP HER NOW. 770 00:33:15,230 --> 00:33:17,900 THAT'S A GOOD REASON ‐‐ THE ONLY ONE. 771 00:33:17,940 --> 00:33:20,410 ALYSSA SAID THAT HER AND MR. JESSUP ‐‐ 772 00:33:20,440 --> 00:33:23,240 THEY WERE TOGETHER, 773 00:33:23,270 --> 00:33:25,510 BUT IF ANYONE FOUND OUT, 774 00:33:25,540 --> 00:33:27,510 IT WOULD'VE BEEN BEYOND BAD FOR HIM, 775 00:33:27,550 --> 00:33:29,520 FOR HIS JOB, AND EVERYTHING. 776 00:33:29,550 --> 00:33:31,850 HOW LONG HAD THAT BEEN GOING ON? 777 00:33:31,880 --> 00:33:34,120 I GUESS A MONTH OR SO. 778 00:33:34,150 --> 00:33:35,620 WERE THEY HAVING SEX? 779 00:33:35,650 --> 00:33:37,720 SHE SAID THEY DID IT IN HIS CAR 780 00:33:37,760 --> 00:33:39,230 THE FIRST FEW TIMES, 781 00:33:39,260 --> 00:33:41,730 BUT THEN THEY WENT TO THIS PLACE ‐‐ 782 00:33:41,760 --> 00:33:44,530 THE CLEMENTS HOUSE ‐‐ LIKE A HOTEL. 783 00:33:44,560 --> 00:33:46,530 SHE LIKED THAT A LOT BETTER. 784 00:33:46,570 --> 00:33:49,210 I'M REALLY GLAD YOU CAME BACK, JOANNA. 785 00:33:49,230 --> 00:33:50,700 NOW THAT SHE'S DEAD, 786 00:33:50,740 --> 00:33:52,710 HAVING SECRETS SEEMS EVEN WRONGER NOW. 787 00:33:52,740 --> 00:33:57,280 I HOPE SHE'S NOT MAD AT ME. 788 00:33:57,310 --> 00:34:01,610 I'M SURE SHE'S NOT. I WOULDN'T BE. 789 00:34:01,650 --> 00:34:04,220 MY STUFF IS ALL WIGGLY 'CAUSE IT'S FREE. 790 00:34:04,250 --> 00:34:06,210 WELL, I'M SURE ANYTHING YOU NEED, 791 00:34:06,250 --> 00:34:08,650 THERE WILL BE SOMEONE AROUND, AND HERE'S YOUR PIZZA. 792 00:34:08,690 --> 00:34:10,600 YOU GOT A WHOLE PIE ALL TO YOURSELF. 793 00:34:10,620 --> 00:34:12,590 I FELT THIS ALL COMING BEFORE IT WAS THERE. 794 00:34:12,620 --> 00:34:14,920 LIKE A STORM ‐‐ LIKE A DOG BEFORE A STORM. 795 00:34:14,960 --> 00:34:16,590 I JUST SHOOK, AND SHOOK, AND... 796 00:34:16,630 --> 00:34:18,760 HEY, DON'T BE SCARED. IT'S ALL GOING TO WORK OUT. 797 00:34:18,800 --> 00:34:21,570 THE DOOR. I WON'T MAKE IT IF THEY CLOSE THE DOOR. 798 00:34:21,600 --> 00:34:24,270 ALL RIGHT, HOW ABOUT THIS? HUH? THAT ALL RIGHT? 799 00:34:24,300 --> 00:34:26,130 ALL RIGHT, I'LL MAKE SURE 800 00:34:26,170 --> 00:34:30,840 THE OFFICER KNOWS TO KEEP IT OPEN. 801 00:34:33,680 --> 00:34:37,780 HERE'S YOUR PIE. 802 00:34:37,820 --> 00:34:42,160 HERE YOU GO. THAT'S FOR YOU. IT'S A MAGNET. 803 00:34:42,190 --> 00:34:44,130 THAT BELONGS TO YOU NOW. 804 00:34:44,160 --> 00:34:47,470 I'LL PUT THIS UP ON MY FRIDGE, AND IT'S GOING TO STAY THERE. 805 00:34:47,490 --> 00:34:49,260 OH, REALLY? WELL, OKAY, IF YOU THINK SO. 806 00:34:49,290 --> 00:34:51,490 HAVE A GOOD NIGHT. 807 00:34:51,530 --> 00:34:55,130 I KNOW THAT'S TRUE. IT IS. IT IS. WAIT. 808 00:34:55,170 --> 00:34:57,280 SHAKE ON IT, RIGHT? SHAKE ON IT. 809 00:34:57,300 --> 00:35:00,970 YOU'RE ONE OF THE GOOD PEOPLE. 810 00:35:01,010 --> 00:35:03,980 YOU ARE, TOO, NICHOLAS. 811 00:35:04,010 --> 00:35:08,540 JUST HANG IN THERE THE BEST YOU CAN. 812 00:35:11,680 --> 00:35:13,680 WE APPRECIATE YOU COMING IN. 813 00:35:13,720 --> 00:35:15,820 DID THAT THIRD PAPER I GAVE YOU OF HERS 814 00:35:15,850 --> 00:35:18,220 HELP AT ALL WITH THAT ‐‐ WHAT'S‐HIS‐NAME ‐‐ 815 00:35:18,260 --> 00:35:19,570 CHRIS MANAHAN? 816 00:35:19,590 --> 00:35:21,190 YEAH, THAT'S HIS NAME. 817 00:35:21,230 --> 00:35:23,200 WE PICKED UP CHRIS AS A RESULT. 818 00:35:23,230 --> 00:35:26,500 OH, WELL, THAT'S GREAT TO HEAR. I'M GLAD I COULD HELP. 819 00:35:26,530 --> 00:35:28,800 EXCEPT CHRIS DIDN'T KILL HER. 820 00:35:28,830 --> 00:35:30,330 THAT'S CONCLUSIVE? 821 00:35:30,370 --> 00:35:31,970 THAT IS. 822 00:35:32,000 --> 00:35:36,240 BUT YOU SAID SOMETHING ABOUT ME LOOKING AT SOME PICTURES. 823 00:35:36,270 --> 00:35:39,070 WELL, UH, NOT SOME. JUST ONE. 824 00:35:39,110 --> 00:35:41,080 OKAY. THAT'S MY LICENSE PHOTO. 825 00:35:41,110 --> 00:35:44,010 THE EVENING SHIFT DESK CLERK AT THE CLEMENTS HOUSE HOTEL 826 00:35:44,050 --> 00:35:46,350 I.D.'d YOU FROM THAT PICTURE. 827 00:35:46,380 --> 00:35:48,650 PLUS ‐‐ WITNESSES PUT YOU AND ALYSSA 828 00:35:48,690 --> 00:35:51,160 IN AND OUT OF A ROOM THERE. 829 00:35:51,190 --> 00:35:52,650 OKAY. 830 00:35:52,690 --> 00:35:54,260 OKAY WHAT? 831 00:35:54,290 --> 00:35:58,260 OKAY, I WOULD MEET ALYSSA AT THAT HOTEL SOMETIMES... 832 00:35:58,300 --> 00:36:01,410 AND, YES, WE WERE INTIMATE. 833 00:36:01,430 --> 00:36:03,400 I DID NOT KILL THAT GIRL. 834 00:36:03,430 --> 00:36:05,400 YOU'RE NOT TALKING 835 00:36:05,440 --> 00:36:08,510 TO A BUNCH OF 15‐YEAR‐OLDS HERE, MR. JESSUP. 836 00:36:08,540 --> 00:36:10,710 I THINK MAYBE I NEED TO TALK TO A LAWYER. 837 00:36:10,740 --> 00:36:12,370 NO QUESTION. YOU CAN DO THAT, 838 00:36:12,410 --> 00:36:15,380 BUT YOU ASK FOR A LAWYER, AND WE'RE OUT OF IT, 839 00:36:15,410 --> 00:36:17,380 AND THE NEXT THING YOU KNOW, 840 00:36:17,420 --> 00:36:19,390 YOU GET DRAGGED THROUGH A LONG TRIAL. 841 00:36:19,420 --> 00:36:21,190 YOUR FACE IS ALL OVER THE NEWS. 842 00:36:21,220 --> 00:36:24,050 YOUR WIFE AND KIDS? THEY'RE IN THE NEWS. 843 00:36:24,090 --> 00:36:25,890 INMATES YOU'LL BE BUNKING WITH ONE DAY ‐‐ 844 00:36:25,920 --> 00:36:28,460 THEY'LL KNOW YOU, AND YOU'LL BE MARKED, 845 00:36:28,490 --> 00:36:30,890 AND THEY WON'T CARE WHAT THE REAL STORY IS. 846 00:36:30,930 --> 00:36:34,030 THEY'LL JUST KNOW YOU AS THE GUY THEY SAW ON THE 6:00 NEWS 847 00:36:34,070 --> 00:36:37,240 WHO WAS CONVICTED OF RAPING AND KILLING A 15‐YEAR‐OLD. 848 00:36:37,270 --> 00:36:39,740 OR YOU CAN, UH, HOLD OFF ON THE LAWYER 849 00:36:39,770 --> 00:36:41,240 AND WORK WITH US... 850 00:36:41,270 --> 00:36:44,570 KEEPING IT AS PRIVATE AS POSSIBLE. 851 00:36:44,610 --> 00:36:46,410 ALYSSA'S FRIENDS 852 00:36:46,440 --> 00:36:49,410 SAID YOU WERE BOTH DEEPLY IN LOVE WITH EACH OTHER, 853 00:36:49,450 --> 00:36:51,590 AND WHEN THAT'S THE CASE, 854 00:36:51,620 --> 00:36:54,090 IT CAN BE CALLED CRIME OF PASSION. USE IT. 855 00:36:54,120 --> 00:36:56,590 SHE HAD HER SIGHTS SET ON ME. 856 00:36:56,620 --> 00:37:00,090 THE LONG LOOKS, HANGING AROUND AFTER CLASS, 857 00:37:00,120 --> 00:37:03,590 FOLLOWING ME OUT TO THE CAR, PRESSING NOTES INTO MY HAND, 858 00:37:03,630 --> 00:37:05,160 AND I WARNED HER. 859 00:37:05,200 --> 00:37:07,170 I TOLD HER THIS WAS INAPPROPRIATE, 860 00:37:07,200 --> 00:37:09,330 BUT THAT WAS LIKE FUEL TO HER. FINALLY ‐‐ 861 00:37:09,370 --> 00:37:11,940 AND THEN YOU COULDN'T LET HER GO. 862 00:37:11,970 --> 00:37:14,100 SHE COULDN'T LET ME GO ‐‐ WOULDN'T. 863 00:37:14,140 --> 00:37:16,070 SO YOU GOT ANGRY WITH HER. 864 00:37:16,110 --> 00:37:18,120 I GOT SCARED. THE PHONE CALLS, 865 00:37:18,140 --> 00:37:20,610 THE THREATENING NOTES LEFT UNDER MY WIPER BLADE, 866 00:37:20,650 --> 00:37:23,690 COMING TO MY HOUSE, WANTING TO TALK TO MY WIFE. 867 00:37:23,720 --> 00:37:25,990 I HAVE YOUNG CHILDREN, FOR GOD'S SAKE. 868 00:37:26,020 --> 00:37:27,660 I SAW MY LIFE UNRAVELING. 869 00:37:27,690 --> 00:37:31,000 AND YOU KILLED ALYSSA TO SHUT HER UP. 870 00:37:31,020 --> 00:37:33,990 NO. I AGREED TO SEE HER, AND I PLEADED WITH HER. 871 00:37:34,030 --> 00:37:37,500 SHE WOULD NOT LISTEN, AND I RAISED MY FIST TO SHOCK HER ‐‐ 872 00:37:37,530 --> 00:37:39,130 TO SCARE HER ‐‐ 873 00:37:39,160 --> 00:37:42,130 TO LET HER KNOW THAT I WAS SERIOUS TO LEAVE ME ALONE. 874 00:37:42,170 --> 00:37:44,980 SHE JUST STARTED SCREAMING, AND I‐I GRABBED HER NECK... 875 00:37:47,170 --> 00:37:50,140 AND I GUESS I MUST HAVE BLACKED OUT AT THAT POINT. 876 00:37:50,170 --> 00:37:52,810 I DON'T REMEMBER MUCH AFTER THAT. 877 00:37:52,840 --> 00:37:55,310 DO YOU HAVE A HISTORY OF BLACKOUTS 878 00:37:55,350 --> 00:37:58,220 OR WAS THIS A ONE‐TIME DEAL? 879 00:37:58,250 --> 00:38:03,150 AND THIS CHRIS MANAHAN WHO RAPED ALYSSA ‐‐ 880 00:38:03,190 --> 00:38:06,160 SET THIS WHOLE NIGHTMARE IN MOTION ‐‐ 881 00:38:06,190 --> 00:38:08,560 WHAT HAPPENS TO HIM? 882 00:38:08,590 --> 00:38:12,330 LET'S WORRY ABOUT WHAT HAPPENS TO YOU. 883 00:38:20,340 --> 00:38:22,700 [ IMITATES CARS CRASHING ] 884 00:38:22,740 --> 00:38:24,670 COME HERE, THEO. 885 00:38:24,710 --> 00:38:28,740 NO. I'M WARM. I HAVE SOCKS ON, TOO. 886 00:38:28,780 --> 00:38:31,080 YEAH, BUT, UH, YOU SHOULD PUT THIS ON, TOO. 887 00:38:31,120 --> 00:38:33,320 I‐I DON'T THINK YOU SHOULD BE IN JUST PAJAMAS. 888 00:38:33,350 --> 00:38:34,650 I'M FINE. 889 00:38:34,690 --> 00:38:40,000 NOW, YOUR BABYSITTER'S NAME ‐‐ 890 00:38:40,020 --> 00:38:44,660 THEO, JUST LISTEN TO DADDY, OKAY? 891 00:38:44,700 --> 00:38:46,840 YOUR BABYSITTER IS NAMED JOHN, 892 00:38:46,870 --> 00:38:49,240 AND HE WORKS WITH DADDY, AND HE'S A GOOD GUY. 893 00:38:49,270 --> 00:38:51,580 WILL JOHN PLAY CAR CRASH PILEUP? 894 00:38:51,600 --> 00:38:53,070 UH, LISTEN UP, SON. 895 00:38:53,100 --> 00:38:55,070 NOW, UH, JOHN IS A FRIEND, 896 00:38:55,110 --> 00:38:59,690 AND, UH, I WOULDN'T HAVE HIM BABYSIT YOU IF HE WASN'T, 897 00:38:59,710 --> 00:39:01,540 BUT THE SAME RULE APPLIES TO JOHN 898 00:39:01,580 --> 00:39:03,710 AS TO EVERYBODY ELSE WHEN I'M NOT AROUND. 899 00:39:03,750 --> 00:39:04,950 WHAT'S THAT RULE? 900 00:39:04,980 --> 00:39:07,220 NOBODY TREATS ME BAD. 901 00:39:07,250 --> 00:39:09,120 NOBODY, AND IF THEY EVER DID... 902 00:39:09,150 --> 00:39:10,590 I TELL YOU. 903 00:39:10,620 --> 00:39:11,950 THAT'S RIGHT. 904 00:39:11,990 --> 00:39:14,720 WILL JOHN PLAY CAR CRASH PILEUP? 905 00:39:14,760 --> 00:39:16,220 [ DOORBELL RINGS ] 906 00:39:16,260 --> 00:39:17,730 WELL, UH, 907 00:39:17,760 --> 00:39:22,760 JOHN DOESN'T STRIKE ME AS A GEAR HEAD SOMEHOW. 908 00:39:29,910 --> 00:39:30,940 JOHN. 909 00:39:30,980 --> 00:39:32,250 DETECTIVE. 910 00:39:32,280 --> 00:39:34,290 COME ON IN. 911 00:39:38,680 --> 00:39:43,320 UH, THIS IS THEO. 912 00:39:43,350 --> 00:39:46,290 THIS IS JOHN FROM WORK. 913 00:39:46,320 --> 00:39:48,420 HELLO. 914 00:39:48,460 --> 00:39:50,430 NICE TO MEET YOU, THEO. 915 00:39:50,460 --> 00:39:53,460 I'VE HEARD SO MANY GREAT THINGS ABOUT YOU. 916 00:39:53,500 --> 00:39:54,810 NOW, I BROUGHT YOU A GIFT, 917 00:39:54,830 --> 00:39:56,630 BUT I'M GOING TO GIVE IT TO YOUR DAD 918 00:39:56,670 --> 00:39:58,100 BECAUSE I'M SURE HE'S TOLD YOU 919 00:39:58,140 --> 00:40:00,350 NEVER TO TAKE ANYTHING DIRECTLY FROM A STRANGER. 920 00:40:00,370 --> 00:40:03,810 ANYBODY EVER WANTS TO GIVE SOMETHING TO YOU, 921 00:40:03,840 --> 00:40:07,110 THEY SEE YOUR DAD FIRST. HERE, DAD. 922 00:40:07,150 --> 00:40:10,420 PLEASE, PLEASE, 923 00:40:10,450 --> 00:40:12,680 PLEASE, PLEASE, PLEASE. 924 00:40:16,860 --> 00:40:19,430 YES. 925 00:40:19,460 --> 00:40:20,930 WHAT DO YOU SAY? 926 00:40:20,960 --> 00:40:22,960 THANK YOU. 927 00:40:22,990 --> 00:40:24,460 YOU'RE VERY WELCOME. 928 00:40:24,500 --> 00:40:27,770 IT'S MY FIRST‐TIME‐ SITTING‐FOR‐THEO PRESENT. 929 00:40:27,800 --> 00:40:30,630 JOHN, CAN WE PLAY CAR CRASH PILEUP? 930 00:40:30,670 --> 00:40:33,130 IS DAD OKAY WITH CAR CRASH PILEUP? 931 00:40:33,170 --> 00:40:36,240 YEAH. YEAH, DAD'S OKAY WITH IT. 932 00:40:51,660 --> 00:40:54,430 THANKS. 933 00:40:56,830 --> 00:40:58,790 I'M, UH, SORRY. 934 00:40:58,830 --> 00:41:02,300 THAT'S THE LAST TIME I CHECK IN. 935 00:41:02,330 --> 00:41:03,800 DON'T APOLOGIZE FOR THAT. 936 00:41:03,840 --> 00:41:06,540 WELL, IT'S THE FIRST TIME I'VE BEEN OUT SINCE ‐‐ 937 00:41:06,570 --> 00:41:08,540 SINCE THE LAST TIME THAT WE WERE OUT, 938 00:41:08,570 --> 00:41:10,340 AND, UH, IT'S MY FIRST TIME 939 00:41:10,370 --> 00:41:12,340 AWAY FROM MY LITTLE GUY IN A WHILE. 940 00:41:12,380 --> 00:41:14,190 YOU CHECK IN AS OFTEN AS YOU WANT. 941 00:41:14,210 --> 00:41:16,750 AND, UH, HE'S GOT A NEW SITTER TONIGHT, 942 00:41:16,780 --> 00:41:19,250 SO THAT'S WHY I KEEP CHECKING IN, YOU KNOW? 943 00:41:19,280 --> 00:41:21,550 'CAUSE HE'S NEW ‐‐ THE SITTER. 944 00:41:23,390 --> 00:41:26,900 I'LL, UH, I'LL STOP WITH ALL THAT NOW. 945 00:41:26,930 --> 00:41:28,900 YOU'RE AN ATTENTIVE, LOVING FATHER. 946 00:41:28,930 --> 00:41:32,000 STOP THINKING THAT'S NOT ATTRACTIVE. 947 00:41:32,030 --> 00:41:34,500 OKAY, BUT, UM, RIGHT NOW FROM HERE ON OUT, 948 00:41:34,530 --> 00:41:36,500 YOU AND ME ARE ENJOYING DINNER, 949 00:41:36,530 --> 00:41:38,500 WHICH, UH, I'D LIKE TO SAY 950 00:41:38,540 --> 00:41:40,880 I'M GLAD YOU WERE ABLE TO BE HERE 951 00:41:40,910 --> 00:41:42,880 WITH THIS SHORT NOTICE AND EVERYTHING. 952 00:41:42,910 --> 00:41:45,350 OH, YEAH, MY CALENDAR IS VERY FULL. 953 00:41:45,380 --> 00:41:47,790 ORDINARILY, YOU'D HAVE TO GET IN LINE. 954 00:41:47,810 --> 00:41:49,780 NO, I'M LUCKY IT WORKED OUT. 955 00:41:49,810 --> 00:41:52,080 WELL, I DON'T GET OUT MUCH, ANDY. 956 00:41:52,120 --> 00:41:53,360 I'M THE LUCKY ONE. 957 00:41:53,380 --> 00:41:54,850 NO. 958 00:41:54,890 --> 00:41:56,360 IF I DO GO OUT, 959 00:41:56,390 --> 00:41:58,600 IT'S TO A READING BY ONE OF OUR AUTHORS 960 00:41:58,620 --> 00:42:01,590 OR BY AN AUTHOR WE MIGHT WANT TO WORK WITH 961 00:42:01,630 --> 00:42:03,600 OR JUST AN AUTHOR I LIKE. 962 00:42:03,630 --> 00:42:06,630 OTHERWISE, I'D JUST BE HOME IN BED WITH A BOOK. 963 00:42:06,670 --> 00:42:08,140 WELL, THAT'S ‐‐ 964 00:42:08,170 --> 00:42:11,140 THAT'S BECAUSE THOSE ARE THE THINGS YOU LIKE TO DO, 965 00:42:11,170 --> 00:42:12,630 SO YOU DO THEM. 966 00:42:12,670 --> 00:42:15,140 THAT'S NOT BECAUSE YOU DON'T HAVE OTHER OPTIONS... 967 00:42:15,170 --> 00:42:17,910 AN ATTRACTIVE WOMAN LIKE YOU. 968 00:42:17,940 --> 00:42:20,140 ANDY ‐‐ 969 00:42:20,180 --> 00:42:22,640 I'M LUCKY THAT YOU WERE FREE TONIGHT, 970 00:42:22,680 --> 00:42:26,410 AND I'M GLAD THAT YOU MOVED BACK INTO THE CITY. 971 00:42:26,450 --> 00:42:30,550 I COULD SAY NICE THINGS ABOUT YOU, TOO. 972 00:42:30,590 --> 00:42:31,890 WELL, HEY, 973 00:42:31,920 --> 00:42:34,160 DON'T FEEL ANY PRESSURE ON THAT OR NOTHING. 974 00:42:34,190 --> 00:42:35,490 WELL, I COULD. 975 00:42:35,530 --> 00:42:37,900 MY UNCLE EDDIE TOLD ME SOME THINGS TO START WITH. 976 00:42:37,930 --> 00:42:40,000 GIBSON? UH, EDDIE DID? 977 00:42:40,030 --> 00:42:42,900 WELL, I ASKED HIM TO, BUT, YEAH. 978 00:42:42,930 --> 00:42:45,400 I WON'T SAY WHAT ALL HE TOLD ME, 979 00:42:45,440 --> 00:42:48,850 BUT IT WAS ALL GOOD STUFF, REST ASSURED. 980 00:42:48,870 --> 00:42:53,510 YOU EVER BEEN TO THE EMPIRE STATE BUILDING? 981 00:42:53,550 --> 00:42:57,120 ONCE, BUT, GOD ‐‐ YEARS AGO. 982 00:42:57,150 --> 00:42:59,110 YOU WANT TO GO AFTER THIS? 983 00:42:59,150 --> 00:43:02,450 I MEAN, SEE IF ANYTHING HAS CHANGED? 984 00:43:02,490 --> 00:43:04,760 SURE... 985 00:43:04,790 --> 00:43:07,620 BUT IS IT EVEN OPEN? 986 00:43:07,660 --> 00:43:09,790 WELL, IF NOT, I'LL TIN US IN. 987 00:43:09,830 --> 00:43:10,960 REALLY? 988 00:43:11,000 --> 00:43:13,300 IT'S MY KEY TO THE CITY. 989 00:43:13,330 --> 00:43:16,160 IT COULD REALLY COME IN HANDY ON A NIGHT LIKE THIS.